Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
CD – Farmacia901
The three digital compositions that constitute this project are the result of an exhaustive “recycling”, rather than remixing. Author Asmus Tietchens questions the necessity of creating original music when “digital and analogue tools allow us to derive →
CD – LINE
Behind the moniker of Pinkcourtesyphone there is Richard Chartier, whose name is well known in the scene of digital electronic reduction. This author has a history of experimenting with the interconnections between the spatial nature of sound, →
CD – 12K
Behind the moniker Illuha are hidden the Japanese experimenter Tomoyoshi Date and the cosmopolitan Corey Fuller. The first works of both sound-artists date back to the second half of the last decade; so they belong to the →
CD -Audiobulb
David Newman, head honcho of Audiobulb, is back as Autistici, this time remixed by a large group of colleagues, all well-known producers in the contemporary experimental electronic scene. From the first →
CD – Zeromoon
Envelopes “stretched” beyond all limits, circular sounds fascinatingly unfolded among cracks, feedbacks, loops and rhythmic digital beats. Myo, the moniker of Cory O’Brien, is not new to using multiple free →
CD – Everest
With a limited edition CD, which contains a library of sounds with 80 samples, the experimental Swiss duo of Patricia Bosshard and Simon Grab debuts for →
CDR 3″ – 1000füssler
A Dual 3″ CD-R, enclosed within beautiful A5 dark cardboard packaging has been released by the experimental German label 1000füssler. This is a production by Roel Meelkop, a →
Mini-disc – Electroton
Already the title, “Rezykla”, suggests the concept underlying these four refined, minimalist compositions. The two authors, Thorsten Soltau and Martin Weiss, each contribute two works in which they manipulates →
CD -Free Software Series
The collective of experimenters involved in the Free Software Series project continues to churn out new and interesting releases. This time, Peruvian Christian Galarreta, a “self-taught transdisciplinarian”, composer →
MiniCD – Domizil
In architecture, an “annex” area is typically an extension of the main building. Similarly, the engravings on this mini CD complement and supplement what Marcus Maeder has achieved in →
