Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
There is no software, at least not here for us to see. Instead we encounter an infrastructure, a system, tethered together with motors, string and elastic, set in motion by chance, generated by the naturally occurring ambient radiation of our →
The correlation between sound and architecture has been frequently articulated on space as the primary medium through which sound and structures can be expressed. Rarely, instead, have specific architectural principles been applied to sound, applying this kind of transdisciplinarity to →
Victory over the Sun is an ongoing project (started in 2015) designed by the artist Elisa Balmaceda (developed in collaboration with Celeste Rojas and Francisca Gacitua) within the “Electric Fields” series. The title is a direct reference to the Russian →
Digital principles are “reductive” in their own essence, as they’re committed to the unavoidable task of quantifying any type of information into numbers. This methodology is constantly and considerably applied to the majority of productions and transmissions of human-managed sound on →
Dreams Rewired by Manu Luksch, Martin Reinhart and Thomas Tode is an assemblage of clips from nearly two hundred films, dating from the 1880s to 1930s, which required a lot of research in institutional film archives, as well as private →
Flying Pantograph transposes hand drawing lines and movements on other surfaces applying different scale and aesthetics. The system was designed by Sang-won Leigh, Harshit Agrawal and Pattie Maes within the MIT “Fluid interfaces research group” and it uses a drone →
If we think for a moment about our compulsive reactions on social media, we can see how unmediated they are, and often based on a few social instincts, including imitation. How We Act Together by Lauren McCarthy and Kyle McDonald →
As a format, the digital portrait poses many different questions about self-representation, most of them related to the ephemeral nature of digital matter. A potential yet perennial changeability gives it the special quality of being an abstract more than an →
Emotions are the last bastion of humanity when it comes to machines. But what we feel deeply is usually not being autonomously perceived by machines themselves, so what if we consider a reverse logic, and use machines to better express →
Computer software with increasing learning and problem-solving capabilities is being rapidly integrated into the background of our lives, monitoring many of our daily moves to make our lives easier and safer, from managing our emails to driving our cars. In →
