The ‘pataphysics (the initial apostrophe indicates recursively the lack of a pataphysical prefix) is the next evolution after physic and metaphysic and is defined as the “science of imaginary solutions”. It is (together →

The sound art scene has received a tardy acknowledgment, and then only because of the fascination of its technical apparatus and of the extensive use of sound in installations / electronic works of art, instead →

The concept of fluid space, ie the organization of information in a three-dimensional environment, summarizing graphics, images and sounds in an environment navigable in three directions is the pivot around which the Belgians →

The (uncertain) non-linearity of the information, culturally assodate from the concept of ‘link’, is slowly but irreversibly changing Western culture, transforming our enjoyment reassuring ‘start to finish’ in a path that is defined as ‘in →

The Mouse on Mars are in their own way a ‘kind’ of contemporary electronic music, through which raw and assonant sound collage, surrounded by syncopated rhythm changes and insertions without burrs stuck to the rest →

After more than a decade of artistic practices related to new media, the world of digital art and media is still confined to its spaces, and has not yet made inroads into the culture linked to →

‘Limitation and Reduction’ seem to be the two aesthetic principles upon which the largest online community of musicians, fans of 8bit sounds: Micromusic.net. Born at the turn of the millennium it has become the reference point →