Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
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24.10.02 Italian Live Media Contest.
Comincia il 24 ottobre a Milano, presso lo Spazio-Teatro IED Moda Lab il primo Italian Live Media Contest a cura di Xing. →
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24.10.02 Flash MX Turntable, giocose simulazioni viniliche.
Anche divertissement come questo Flash MX Turntable nascondono particolari interessanti nella simulazione progressiva dei media analogici. Nella ennesima rappresentazione di →
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24.10.02 Digital is not Analog 2002, festival di web e media art a Campobasso.
Si’inaugura il 24 ottobe presso la ex Chiesa di San Bartolomeo a Campobasso →
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23.10.02 The Well, animazioni sensibili al suono.
The Well è un luogo profondo e oscuro, una specie di pozzo in cui ci si trova a pelo d’acqua →
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23.10.02 Narration Ltd, penne a noleggio per un potere globalizzato.
Nel libro Fahrenheit 451 di Bradbury i libri venivano bruciati dal potere. Oggi il potere preferisce comprarli. →
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23.10.02 MetaSynth, disegnare col suono.
MetaSynthè un software per la composizione musicale che differisce da tutti gli altri tool del genere a causa della sua possibilità di →
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23.10.02 Electrohype 2002, software art in rassegna a Malmo.
È stata inaugurata il 23 ottobre a Malmo (Svezia) Electrohype 2002, la prima biennale di computer art nei →
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22.10.02 Symbiosis, gesti e rispondenze in una pagina web.
Symbiosis è secondo il suo autore una performance dinamica ed estetica che coinvolge in un ambiente multiutente la →
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22.10.02 Multimedia Art Asia Pacific (MAAP).
Inaugurato a Beijing (Cina), il Multimedia Art Asia Pacific (MAAP), festival di media art dell’Est asiatico, ha come tema dominante di →
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22.10.02 Database di logo: la libera circolazione dei marchi aziendali.
Nel sito Logotype free sono presenti più di 60.000 loghi in formato vettoriale, che possono essere downloadati →
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22.10.02 3D music, musica per spazi digitali.
3D music è l’interessante lavoro del team di artisti coordinati da Sam Hayden, in grado →
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18.10.02 Valtellinux Meeting, promuovere il software libero in Valtellina.
Il 19 ottobre 2002, a Caiolo, in provincia di Sondrio, Valtellinux promuove una giornata dedicata a promuovere la →
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18.10.02 Thought Generator v.2.3, pensieri generati.
Thought Generator v.2.3 di H-Ray Heine, artista tedesco/americano facente parte del movimento fluxus, è un’opera in flash che presenta all’utente una →
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18.10.02 Otolab, il vjing cosciente.
Gli Otolab sono un collettivo milanese che, fondandosi sulla libera circolazione dei saperi sperimenta proficuamente con i linguaggi audio/visivi. Il loro sito →
