Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
2CD – Editions Mego
Come si possono decodificare quelle che sono le caratteristiche uditive fondamentali di un’emissione sonora? Hecker ha implementato più ricerche e attivato vari progetti nel corso della sua attività compositiva e a questo proposito ha utilizzato in →
10″ – Ediciones Éter
Sono tre le composizioni che Ross – per Ediciones Éter, l’etichetta experimental colombiana di Miguel Isaza e Alejandro Henao – dedica a field recording sottomarine di megattere, una specie di balene perlopiù costiere particolarmente nota per →
CD – Gruenrekorder
Il compositore Hannes Seidl e il media artist Daniel Kötter collaborano oramai da poco più d’una decade e, dopo essersi dedicati in passato a performance musicali – prima sul tema delle opere d’arte e del tempo libero, →
LP – Dialogo
Fra le storiche uscite della Cramps, etichetta italiana fondata nei primi anni settanta, focalizzata principalmente sulla musica progressiva ma attiva anche sul versante di una ancora acerba scena contemporanea, non poteva certo sfuggire al fine d’una auspicabile →
CD – Shelter Press
La lunga suite, concentrata in un’unica traccia di quasi quaranta minuti, che dà vita a Perceptual Geography, un progetto musicale di Thomas Ankersmit edito da Shelter Press, è stata ideata per essere utilizzata in performance dal →
CD – Unsounds
Se i riferimenti stilistici più immediati possono essere ancora quelli a un’estetica popular eccentrica e ultra-contemporanea, in questo “ciclo di canzoni transumane per voci computerizzate simili a quelle umane” l’autrice non scende a compromessi, rifuggendo sia i →
CD – Opa Loka
Richard van Kruysdijk, aka Cut Worms, torna sui passi delle sue due precedenti uscite sempre su Opa Loka – Cable Mounds e Lumbar Fist – ribadendo in Breath Mule una distintiva e ibridata estetica che →
CD – Leaf
Murcof torna sulla sua etichetta d’esordio – la Leaf – per la prima volta in tredici anni, dopo The Versailles Sessions, ultimo album di una corposa serie di ben cinque uscite su formato esteso nel periodo che →
LP – Verlag System
Secondo l’autore stesso “la parola Armaghedon non deve mai più essere sinonimo di decadente distruzione” e invoca a tal proposito un nuovo ordine mondiale “teocratico”, promotore di una definitiva “liberazione neuronale”. Maurizio Bianchi, autentico mito dell’underground →
3 x Vinyl – Axis
“Ci sono molti modi per immaginare il futuro” e su questo è immediatamente chiaro Jeff Mills, icona techno, leggendario produttore e dj che anche in passato ha esplorato modelli più sperimentali e artistici di spettacolarità, →
