Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Neural 76, What is real? + extra: a Destructive Circuits by Dani Ploeger . Subscribe now!
Issue #76, 2025 ISSN: 2037-108X
Subscribe now! because only subscribers will get a free extra: a Destructive Circuits by Dani Ploeger .
You can also →
University of Minnesota Press, ISBN 978-1517911591, English, 288 pages, 2024, USA
If the screen visually represents the body with an escalating sense of realism, it also negates its sophisticated haptic and thermal qualities through its glass-covered, →
LP – Futura Resistenza
A series of dark, ethereal and spectral sequences on ‘A Wrong Turn Towards Eternity’, the 10-minute opening track introduce us to the latest work by Glaswegian sound artist Mark Vernon. Vernon is accustomed to a form →
In the many ways that artists interpret their role with science, from becoming the ‘god’ of an ecosystem to decoding invisible signals and symbols of various living entities, Mauricio Lacrampette embraces instead the role of the serious scientist using →
Set Margins, ISBN 978-9083350189, English, 136 pages, 2024, The Netherlands
‘Female bodies and technologies have an ambiguous relationship’, writes Morgane Billuart in her new book Cycles, the Sacred and the Doomed. It is an auto-ethnographic →
CD – Persistence of Sound
Persistence of Sound is an independent record label that has made sound exploration of urban and non-urban spaces one of its special areas of research. This is complemented by an interest in musique concrète and →
Aurora Mititelu has developed a special digital character for her artworks. His name is Abel and he is the ‘synthetic male version’ of herself, with whom she has a romantic relationship. In Abel & I, the interaction with Abel takes →
Destructive Circuits by Dani Ploeger, an envelope of hacked everyday digital technologies, functioning electronic audio circuits, with unexpected sounds. It is part of an eponymous body of work supported by a residency at V2_ in Rotterdam.
audiOh!Recordings, cd+dvd, English, 2024, UK
It is not uncommon for audiovisual artworks to reflect on a personal condition, but it is not common for them to be able to play with it conceptually and achieve →
CD – Alltagsmusik
The Kilpatrick Phenol is a synthesizer released around 2015, and therefore not strictly related to the vast category of vintage electronic instruments that are often the focus of disproportionate attention these days and which, apart from the →
The interactive sound installation Δ [Delta] makes biological data audible by capturing it directly from plants. What sets this bio-sonic work by artist Miha Godec apart is its immediacy: there are no intermediaries, just a direct transformation from signal to →
The MIT Press, ISBN 978-0262548212, English, 286 pages, 2024, USA
In the general complexity of the world of relational information in which we live, there are various aspects related to play and toys as the most →
10” – arbitrary
This is the second in a series of collaborations, released on 10″ vinyl in the guise of remixes, by Mads Emil Nielsen and Chromacolor. Nielsen is a musician/composer from Copenhagen accustomed to bold projects using sound sources →
Telescopes have historically been the first substantial ‘augmentation’ of our eyesight. The technical properties of focus and magnification of optics have exponentially extended our vision of far-away matter. Now with our imaginary progressively colonised by computational visuality, all that we →
transcript , ISBN 978-3837674163, English, 198 pages, 2024, Germany
This book explores post-digital aesthetics in audiovisual contemporary arts, looking at how they became essential to understanding our time by critically addressing the impacts of digital technologies. Artists have always →
