Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
The computer animation universe has often be one of its own, privileging technical virtuosity, spotless aesthetics, removed from other fields of art. This is not the case for Puppet which is meant to be a music composition software that uses →
What if we were to build an effective AI-based Luddite chatbot to provide consultation on work matters? AI-Ludd, the simulation presented by the IoCose group in a video, subverts the concept of industrial software. This radical narrative shift is not →
When someone like Nicolas Nova dies, we are tempted to ask in despair: Why? Or rather: Why him? In the ir/rationality of life and death, we wish that brilliant and generous minds (a very rare combination) would simply live forever. →
Duke University Press, ISBN 978-1478011828, English, 256 pages, 2021, USA
In the extensive debate about noise and its multiple roles, meanings and effects on culture, there are some specific modern environments that are rarely considered but →
In Mythic Landscape, Laura Criollo Carrillo allows the audience to enter a revealing space where the invisible and inaudible manifest. She uses infrared light and artificial electromagnetic fields that emit sounds outside our audible spectrum. She uses a modified digital →
Neural 70, Alternative Metaverses . Subscribe now!
Issue #70 Autumn 2021 ISSN: 2037-108X
You can also subscribe to the magazine Digital Edition accessing all issues since #29.
Or you can buy the magazine from the closest of the almost 200 stores →
Neural 67, Adversarial Tactics. Subscribe now!
Issue #67, Autumn 2020 ISSN: 2037-108X
Subscribe now!
You can also subscribe to the magazine Digital Edition accessing all issues since #29.
Or you can buy the magazine from the closest of the almost 200 stores →
There’s a symbolism in the technology we use that is deeper than its daily appearance, especially for the devices that we use the most. In “Shotgun texting”, Exonemo artist group uses a shotgun to shoot a few keyboards of different →
Online – NN
“Current Suite No.1″ by Nuuun is a suite of four audiovisual compositions exploring an interchangeable use of frequencies that we can both see and hear. These compositions are inspired by early 1970s video synthesizers and Scan Processors, →
Nero Editions, ISBN-13: 978-8880560982, Italian, 247 pages, 2020, Italy
Valentina Tanni is a prominent Italian historian of internet art. She has researched and developed a sophisticated discourse about internet visual subcultures. In this book she →
