Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
2CD – Gruenrekorder
Christina Kubisch and Annea Lockwood met each other in a different age. It was around 1975 and the New York experimental music scene wasn’t as internationally recognized, but both artists already had solid backgrounds. Christina Kubisch had →
CD – Opa Loka
This release seems to be under the influence of an immanent turmoil, as in Stranger Things, the American TV show created by Matt and Ross Duffero, or in “Dark”, another classic of contemporary dystopian sci-fi. The →
CD – Monotype Records
Under the Monotype Records brand (it is exactly their ninety third release) Christian Kobi collects for the occasion three compositions on tenor sax, one on soprano sax and for the fifth (the central in the album) →
Oxford University Press, ISBN-13: 978-0190226992, English, 712 pages, 2018, UK
Even arguably stemming from concepts like “generative” and “automatic” what is exactly meant by “Algorithmic Music” ? The two editors of this sumptuous anthology give a →
CD – Kontrans
Produced by Kontrans, Tomomi Adachi and Jaap Blonk are extraordinary improvisation experimenters, two real specialists in the interaction between voice and electronics. In a video released in 2013, the Japanese artist shows his actions with the simple →
LP – Auf Abwegen
Tropic is presented by O Yuki Conjugate – a post-industrial/ambient group founded in Nottingham in 1982 – a collection of forgotten tracks, partially unreleased and incomplete, recorded in London during the period 1994-95. The processing and →
CD – Gruenrekorder
Marc Namblard is no stranger to audio-naturalistic approaches – we could remember his previous release on labels like Nashvert, Ouïe-Dire e Kalerne – and in fact even to the exploration of open-air spaces in French Guiana, which →
CD – 1703 Skivbolaget
In the last few years there seems to be a return to some free form and improvisation styles. The reasons are not clear, but the themes played in between the expressive freedom and the formal structures →
CD – Sub Rosa
Sub Rosa’s staff well knows how the field recording history is rich in its different approaches, and definitely in those experimental enclaves, and is aware of how such techniques have been developed starting from original scientific-documentary →
Picture Disc – Art Kill Art
With Art Kill Art the surprises never end: after an accurate analysis, the radio emissions from a Paris highway and from a farm lost in the French countryside are the subjects of some →
