Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Gruenrekorder, ISBN-13: 194491607760, English, 120 pages, 2020, Germany
“un|sounding the self — a portrait” is a film portraying two composers, Christopher Shultis and Craig Shepard, whose trajectories are in dialogue. The first person tale of their personal experiences →
Pioneering media artist Bruce Nauman has dedicated a good part of his life to exploring his own condition as artist. He used his own studio as the stage for performances involving himself during the 1970s and 1980s, until in “Mapping →
Vinyl 12″ – Moozak
Brigitta Bödenauer e Susanna Gartmayer, ovvero BBSG, Black Burst Sound Generator, allo stesso tempo titolo del progetto e moniker del duo, definizione che è derivata dalla tecnologia video analogica, non fanno mistero di scure pulsioni musicali →
University of Minnesota Press, ISBN-13: 978-1517907082, English, 416 pages, 2019, USA
Variations on Media Thinking is a much needed selection of Zielinski’s texts for non-German speakers, made of eighteen translated essays, produced over several decades. The →
McCarthy is brilliantly developing a line of performances (as in LAUREN), where she directly engages with technology as a person, consciously re-introducing elements of human vulnerability. “I heard TALKING IS DANGEROUS” is one of the most powerful artworks about the →
3.5″ Floppy Disk 1,44 MB – Pionierska
La Pionierska è una micro label fondata nel 2014 le cui uscite sono precipuamente su floppy disk da 3.5″ e cassette audio a nastro magnetico. L’estetica adottata è immediatamente chiara, essere assolutamente →
The MIT Press, ISBN-13: 978-0262044158, English,, 336 pages, 2020, USA
Our ongoing dialog with machines has shifted from straightforward technical procedures to increasingly anthropomorphic forms of engagement. This rapid evolution in the use of interfaces and its →
Non sono mai a mio agio in mezzo ad una folla…finisco spesso con l’osservare le persone come se fossero “altro” da me e spesso mi perdo nel provare a quantificare e a dare una forma ai pensieri delle persone che →
Vinyl 12″ – Gruenrekorder
Sono microfoni a contatto quelli utilizzati da Michael Lightborne, posizionati a ridosso dei piloni di cemento che sostengono la Coventry Ring Road, la mega-tangenziale della città natale di Delia Derbyshire. L’opera, costruita tra gli anni →
Errant Bodies Press, ISBN-13: 978-0997874464, English, 124 pages, 2020, Germany
The Nomadic Listener is defined by Chattopadhyay as an ‘augmented book’. It is made of a stream of thoughts, generated by the itinerant author, psychogeographically exploring major →
Computational writing in the post-digital era is as systemic as computational imaging, just not as visible. The algorithmic elaboration of texts by big systems and platforms extracts sense and adapts it to standards and rules, without us noticing. In “Codependent →
CD – Thrill Jockey
S’incomincia con un omaggio all’artista e attivista Gustav Metzger – uno dei padri fondatori della pittura cinetica e teorico della auto destructive art – e nella composizione il sovrapporsi di voci e campionamenti è subito →
Onomatopee Projects, ISBN-13: 978-9493148192, English, 96 pages, 2020, The Netherlands
Already attentive to the formidable impact of digital images, Onomatopee publishes the inaugural issue of the new Resolution annual magazine, which programmatically “tackles images in relation to →
The mapping of invisible WiFi networks has been an inspiration for different artworks since the 2000s, following their global proliferation. As invisible gateways to the whole online world, they can be perceived as an active presence that our mobile devices →
