Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
The MIT Press, ISBN 0262033127 The element 'magic' of cinema, namely the still image that suddenly you 'soul', as described in the report of the first screenings of Lumiere still there today, in the rooms, →
Reading the news online, from the web to the mailing list to ultra-efficient flows in RSS (which allow you to have an instant Glance general from multiple sources) has become a daily ritual that →
The interface of the electronic musical instruments, has always been a problem of language, that abilitasse the musical dialogue man-machine in order to make satisfactory interaction and the results produced. The conceptual problems that from →
The pixel, a key element of digital graphics, and the matrix, its structure, have long been out of the pages of manual graphics programs, to become cultural archetypes. On this is based aesthetic that exploits the →
The 'pong', which is the first video game that has made inroads through the origianle and various clones in the families of the years between the years 70 and 80 (at launch compared to the →
by Alessandro Ludovico
One of the most utopic aim is the definitive defeating of the consumerism model. This is really a scaring perspetive for any big-size business based on how economic actually works. But there →
The area in which you enjoy the sounds is often crucial to our environment and consequent judgment. The territory and its rules apparently unconsciously discounted guide us through the paths of movement through coordinated sound. →
Move information multiplied by the mass media hype and place them in new contexts instantly displaces the multitude of users accustomed to the fluctuation of news plausible. When then also display the protagonists undergo →
The hard disk containing a dozen national and local Indymedia sites were seized on October 7 provider Rackspace, in its UK office, putting offline most of the national and local branches including those of →
A 'scene' music has always been marked by a particular aesthetic, as well as characteristic sounds and moods equally recognizable. The respective groups were then formed tip shining examples of synthesis of these coordinates, →
The representation of social conflicts through the narrative of video games is one of the concrete opportunities to make a purely political message available to anyone, visually and interactively encoding an alternative view to →
The usability of sound installations often based on the immediacy generated by the use of sensors that create a meaningful link between movements / actions of the user and the speech scheduled artist. Instead, use →
The rough terrain of our study on brain function is bankrolled by a few decades of control and entertainment industry, to try to enslave the unconscious mechanisms to the logic of consumption and subjection. →
How could play the square that crosses every day? This is one of the typical questions posed by the sound artists fascinated by urban spaces, developing different solutions of sounds that populate →
