Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Amongst the many attempts of extracting art *visualizing* spam, many have miserably failed establishing a loose connection between the email data feed and the generated graphic. It’s not just a question of aesthetical →
Beyond the overexploited abstract paradigm, there are few artists endlessly experimenting with digital technologies and video, never tired to play with new hybrids and visions. Yoshi Sodeoka (c505) is a long time member of the design →
Thunder’s Mouth Press, ISBN 1560256818
In the controversial debate about the videogame role in social acceptance of violence, the military power avid interest in the field is not anymore a secret. Furthermore the mediatic →
Thunder’s Mouth Press, ISBN 1560256818
In the controversial debate about the videogame role in social acceptance of violence, the military power avid interest in the field is not anymore a secret. →
One of the most senseless use of technology is electronic voting. With no advantages except from the speed (real time) county of votes, this ‘innovation’ is simply an enormous swindle. In fact the →
One of the most senseless use of technology is electronic voting. With no advantages except from the speed (real time) county of votes, this ‘innovation’ is simply an enormous swindle. In fact the votes are →
Errant Bodies – ebr_02 – dvd video
Where is the artist’s freedom of expression if you get stuck on the narrative? The sequence and →
The use of video to reread social moments in terms of abstract processes that can be differently computed is quite common among artists, but there’s a sort of Japanese specific trait in trying to use →
If music is about time, Satellite Jockey by Rick Silva is music sparked off space. The perceptive revolution enabled by Goggle Earth is the one of being able to visually navigate most part →
If music is about time, Satellite Jockey by Rick Silva is music sparked off space. The perceptive revolution enabled by Goggle Earth is the one of being able to visually navigate most part of the →
cd+dvd, Carpark, cprk32
The use of video to reread social moments in terms of abstract processes that can be differently computed is quite common among artists, but there’s a sort of Japanese specific trait in →
The glitches, intended as the visual or audio results of computer accident are an important part of our contemporary machinic culture. Actually the dark side of the digital existence lies in its hidden complexity →
The glitches, intended as the visual or audio results of computer accident are an important part of our contemporary machinic culture. Actually the dark side of the digital existence lies in its hidden complexity that is →
Religion and technology share faith. Many of their respective most important processes are unknowable in details and require an unconditioned trust to accept their results. Furthermore developing only a part of human nature →
