Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Rapper Prince Harvey, after his computer crashed and his external drive was stolen, managed to record an entire album in Apple Store SoHo in four months, befriending employees, hiding files and using USB sticks and mail. as support. Abbie Hoffman would have been proud.
CD – Flux
Following a multifarious talent, without either prejudices or gender barriers, Frank Rothkamm is back to bring his unique version of what today we could simply define as ‘popular electronic →
CD – Seeland
Deconstructing previous forms, and taking a different approach from more normal genres, Negativland (mainly a Mark Hosler production), in a work called ‘Thigmotactic, looks to reveal the evident affinities in →
CD – Cock Rock Disco
The artistic trajectory of Jason Forrest, aka DJ Donna Summer, is evolving towards more and more radical ways. He’s one of the gods of plagiarist breakcore, →
CD – Illegal Art
In the ever-changing landscape of specific samples use in music, Illegal Art label represent a constant artistic challenge to copyright and its zealots. His roots are deep →
CD – Illegal Art
Disembodied pop shards, detached from their original contexts, skillfully recombined with mash-up techniques: it’s Gregg Gillis, (aka Girl Tank), the author of these compulsive but joyous dissections. He →
CD – Planet Mu/Goodfellas
Experimental and shaky electronica, flamboyant audio-abuse, breakcore, jungle, techno and mash-ups, all together, recorded (without any interventions) during a live performance by Tim Exile, an artist with a drun’n’bass past who →
CD – Adaadat
A definitely multi-form album with surprises at every track and passage, in a mix of noise, country-folk and beatz, in the plunderphonic abuse, with influences always skillfully reconciled with clearly →
