Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
L’elemento di disturbo, la trasmissione non andata a buon fine sono eventi naturali di un ecosistema che si tende ad occultare dietro le trombe della banda larga, ma che fa parte della rete come le →
dvd video – Index – Index DVD 014
Ci sono ancora fenomeni culturali che si sviluppano floridi in un territorio delimitato anche in tempi di interconnessioni con culture e abitudini di ogni dove. Basta →
Il sovraccarico sensoriale di cui soffriamo quando ci muoviamo negli spazi pubblici trae origine dall’eccessivo numero d’informazioni (soprattutto a carattere pubblicitario) che ci ritroviamo davanti. Negli spazi pubblicitari, in particolare, l’accostamento di parole eimmagini →
La danza e le tecnologie elettroniche hanno trovato fin da tempi non sospetti un punto di contatto, soprattutto nell’utilizzo di sensori che permettessero di espandere i movimenti del corpo oltre sè stessi, facendo diventare il corpo →
é sempre esistito un divario ‘naturale’ tra ambienti digitali e fisici. Talvolta si ottiene un elevato livello di immersione senza un vero e proprio coinvolgimento fisico, mentre in altre occasioni si è spettatori di fronte alla →
dvd video – I.M.C.C. / Metropolis Records
‘Making the revolution sexy’
cd+dvd – C0C0S0L1DC1T1
Il rapporto fra suono e visione ha assunto connotati pi
Il moltiplicarsi esponenziale degli accessi all’informazione ha bulimizzato anche il nostro desiderio di immagini sempre inedite e sempre più sorprendenti. Del resto l’intrattenimento ha sposato in uno stabile connubio l’ingresso →
cd+dvd – Ninja Tune
The language of videoclips has undergone many semiotical revolutions in the 90s, the years when the possibility of video editing landed on home computers. The consequential big increase in the number →
Le pratiche di vjing sono nate dall’uso di strumentazioni digitali dapprima solo per coordinare il flusso dei materiali analogici, evolvendo poi fino a gestire l’intero processo di produzione e performance. Lo stesso flusso d’immagini, mai disgiunto →
