Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Il cordyceps è un fungo parassita che si innesta negli insetti nutrendosene. Project Alias, di Bjørn Karmann and Tore Knudsen, è un simile “parassita” per gli home device, che può essere personalizzato per controllare i propri smart assistant tutelando la →
Al centro dell’installazione “*(asterisk)” c’è quel che sembra una mela. Incastrata dentro una sfera armillare, la mela ruota di continuo a 360°, inquadrata da telecamere che scansionano al millimetro la sua superficie. Quattro monitor posizionati intorno all’ingranaggio mostrano in tempo →
Bricolage è un’installazione che cresce nell’incubatrice che la custodisce. In questo ambiente protetto creato ad hoc crescono dei “bio-bot”, strutture cellulari autonome, specificamente bioingegnerizzate da Nathan Thompson, Guy Ben-Ary e Sebastian Diecke. I bio-bot sono fatti di cellule di sangue, →
Blind Landing is an interactive installation by the artist Jooyoung Oh. It is composed of a helmet that tracks brain waves and eye movements, and artificial intelligence software that analyzes the forms of the video frames. When the helmet is →
Measuring phenomena, making them readable in the form of numbers, producing data, creating models to guide future choices, is a feverish process around us. We let ourselves be guided by devices programmed by others to make choices, modulate behaviors, take →
Soon, human manual labour may no longer be necessary. Perhaps machines, thanks to the development of artificial intelligence, will perform even intellectual work. The Institute of Human Obsolescence critically explores this scenario: how can we reinvent the role of →
“We can’t talk about responsible data without talking about the moment when data becomes data”. Questo è il punto di partenza della ricerca di Mimi Onuoha, artista che esplora i processi con cui le persone vengono misurate, astratte, rappresentate e →
Di fronte al n° 154/156 di rue d’Aubervilliers a Parigi l’artista Pascal Boyart ha realizzato un murale che rappresenta una rivisitazione del celebre dipinto di Delacroix “La liberté guidant le peuple”. L’architettura dell’immagine rispecchia fedelmente l’opera del 1830 ri-contesutalizzandola con →
Narciss is a piece of software made with basic artificial intelligence techniques built to analyse itself. The installation, by Waltz Binaire Studio, consists of a computer equipped with a camera in front of a circular mirror. The algorithm translates the →
In the “Data Shop” installation, lots of colored tin cans are placed on shelves, similar to those normally used in supermarkets, perfectly ordered by colour in columns, as if they were encased in a structured matrix. The graphics on →
