Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
CreativeApplications, ISSN: 2292-0919, English, 218 pages, 2016, Canada
This second issue of Holo magazine simply confirms the care and quality emerging from the first one, published in 2014. The publication’s design background is quite clearly emerging once more: there are →
Flying Pantograph transposes hand drawing lines and movements on other surfaces applying different scale and aesthetics. The system was designed by Sang-won Leigh, Harshit Agrawal and Pattie Maes within the MIT “Fluid interfaces research group” and it uses a drone →
If we think for a moment about our compulsive reactions on social media, we can see how unmediated they are, and often based on a few social instincts, including imitation. How We Act Together by Lauren McCarthy and Kyle McDonald →
Polity Press, ISBN-13: 978-0745681313, English, 256 pages, 2016, UK
The incredible impact of social media platforms on our life has been one of the fastest social transformations humans have ever globally experienced. This is a book investigating this subject from →
As a format, the digital portrait poses many different questions about self-representation, most of them related to the ephemeral nature of digital matter. A potential yet perennial changeability gives it the special quality of being an abstract more than an →
Emotions are the last bastion of humanity when it comes to machines. But what we feel deeply is usually not being autonomously perceived by machines themselves, so what if we consider a reverse logic, and use machines to better express →
MIT Press, ISBN-13: 978-0262034753, English, 952 pages, 2016, USA
Recognising the process of interaction as fundamentally an exchange is what the editors of this sizeable anthology do. Their criteria are summarised in the title itself, as “practicable” (derived from the →
Computer software with increasing learning and problem-solving capabilities is being rapidly integrated into the background of our lives, monitoring many of our daily moves to make our lives easier and safer, from managing our emails to driving our cars. In →
The use of industrial robots in art usually takes advantage of the powerful aesthetic values transmitted by their sheer force, usually mediated by an alien mechanic elegance. In installations, they’re protected from the audience for security reasons, and that just →
Earnings, concentration, effectiveness, well-being. Is not this what chases the western culture? Are these not the bases around which revolve the lives of hundreds of thousands of people? And while phones, home automation devices and cars are becoming more intelligent, →
