Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
CD – FF`Space
Hectic Truer is a beat-orientated electronic project by Yu Miyashita, aka Yaporigami, a Japanese artist who has been active since 2005. The artist has a total of ten different releases to his name (both EPs and albums) →
4 cd box + booklet – Sussidiaria
Massimo Pavarini, who died at the age of forty-two in 2012, has without a doubt embodied the very essence of the Italian underground music of his generation. Pavarini was a great listener with →
Les presses du réel, ISBN-13: 978-2955226704, English, French, 208 pages, 2015, France
How can we define the collection of “contemporary art” if the latter doesn’t engage with digital technologies? This was the topic of a panel hosted by Rhizome in →
cellF by Guy Ben-Ary is a “biological self-portrait” divided into two parts. First the artist reprogrammed his skin cells to transform them into a functional neural network, defined as his “external brain.” Then he developed a robotic body to →
CD – Estuary
{A Simple Procedure} is a celebration of the legacy that comes to us from Cageian experimentalism and is a re-imagining of a seminal piece by the master – ‘Imaginary Landscape No. 5’, viewed through the lens of →
Sub Rosa, ISBN 978-9609368704, English, book + CD, 48 pages, 2012, Belgium
“Sirens” was an audiovisual performance by Thanasis Kaproulias (Novi_sad) and Ryoichi Kurokawa that took place at different festivals around the world. This book is due legacy to its →
Gelöschte Masse (“Deleted Masses”) by Hannes Seidl is a brilliant sound artwork using audio manipulation in a political way, through a sophisticated aesthetics. It’s a three channel sound installation consisting of five audio recordings from protests taken in different cities →
Von Archives, VON 022 DVD, English, 12-page booklet, 2015, USA
The Futurist Manifesto is a performance from 2009, produced to celebrate the centenary of the original Futurist Manifesto published on Le Figaro in 1909. Starting with the paradoxical consideration that →
The MIT Press, ISBN-13: 978-0262526890, English, 600 pages, 2015, USA
Global Activism was another gargantuan exhibition effort in the notorious ZKM tradition, which took place at the end of 2013, attempting to survey “art and conflict” on a global scale. →
There’s a new way to understand (complex) prosthetics, not as an instrument to ’empower’ the body with expanded faculties, nor to re-enable body parts which have been lost, but to undergo a completely different status which would instead limit the →
CD – Denovali
Double vinyl, digital and single CD are all available formats for this new work by Brazilian artist Ricardo Donoso (now based in Boston), who is well-known for his experimental releases on Denovali. Initially a percussionist, Donoso now →
The MIT Press, ISBN-13: 978-0262028868, English,, 256 pages, 2015, USA
We can easily relate to spaces that make sound audible within architecture and form. It’s a perfect relationship between the apparent stillness of architectural structures and the ephemeral movement of →
DIY, English, 164 pages, 2014, The Netherlands
In the first decade of the commercial internet, the information ecology was of imaginable dimensions. Due to natural growth and the influence of online giants and social media, this has definitively changed, with →
Historically holograms have been connected with “presence,” mainly for their 3D live presence and for their peculiar ghostly televised aesthetics. Holograms have also been connected to their quality of being “temporary”, so being visible/invisible depending from timing or perspective. The →
