Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
The MIT Press, ISBN 0262692864
The movie industry is one of the most conservative ones when it comes to new models of production and enjoyment. The historic ‘broadcast’ model, where few big companies handle →
TThe last twenty years of studies on corporate organisation and efficiency in human resources management have sacrificed, through their experiments, every ethical principle to achieve the holy grail of the capital machine: productivity. The interaction →
University of Minnesota Press, ISBN 0816643539
Organic transformations hurt our sensitivity, since they represent the fear of the new body models, weak in their experimental constitution. This text collects a detailed and unique analysis →
One of the most interesting Italian in the visual production that is certainly linked to the sounds of Otolab , large group of artists, who over the years has produced conceptual and aesthetic processing through use →
The EFF (Electronic Frontier Foundation) has always stood for pragmatism conducted in his battles, conducted by mobilizing lawyers on the one hand and by providing lobbying in the U.S. Congress on the other hand, not to →
Jared Tarbell of Albuquerque, New Mexico is a programmer who search and create visual art algorithms, collected in his Gallery of Computation . The site includes an image of the result generated generally (there are also →
The interactive sound installations expressed by the public are often directed to the public 'human' and its entertainment. Few are, however, examples of works that seek to embed itself with a place and with its own →
Space is the invisible dimension of the sound, which also consists of traveling waves within a particular place, in contrast to the time that instead is universally perceived in the duration of the sound itself. In →
After becoming popular thanks to the novels and movies centered on them, espionage techniques have recently become a science in themselves, losing the sci-fi aura which surrounded them and turning into a new threat →
Fundacion Rodriguez/Arteleku, ISBN 9984-9538-0-7
Tester is an experiment of network culture in his most natural meaning, transposed to a structured organization for independent physical nodes, each of which has its own responsibilities in a common →
The forms of protest in the urban territory benefit greatly from digital technologies applied to common devices, because they can expand their uses towards new forms of communications. Openly inspired by the famous GraffitiWriter →
Commissioned by Jacqueline Stevens and Natalie Bookchin Tate Online London, funded by the Foundation for Art, Science and Technology of Daniel Langlois, AgoraXChange is for the moment an online community that promises to discuss in a →
The visualization of sound and a thousand streams of interpretation and technical areas where you are divided, on the one hand constitutes an expansion of the sensory acoustic part, and on the other un'intrattenimento the viewer →
The MIT Press, ISBN 026213439X
Every radical media transformation induced by a new technology brings along the myth of the beginning of a new era. In the haste to liquidate the grey past and →
