Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Yuri Suzuki’s designs for unconventional players provide combinations of objects that re-mix not only the content of records but the reproduction media as well. One of his latest pieces presents us with a mix between →
CD – Illegal-Art
Inspired by a seminal text written in the late sixties by Bruno Munari and Davide Mosconi, the turntablist and cut-up artist Filippo Paolini – based in →
CD – Domizil
Hiding behind the moniker Strøm, the duo formed by Guadenz Badrutt and Christian Müller investigates abstract sound constructions, utilizing many stylistic approaches. In this latest work they have arrived at →
CD – Aagoo
Philippe Petit is not new to revisiting contemporary music tradition: as a journalist and activist he can boast of almost three decades →
CD – Touch
Novaya Zemlya by Thomas Köner is made of abstractions that do not condense into a tangible construction. The continuum is very perturbing and is diluted in barely audible frequencies. →
CD – Nexsound
This work is based on fascinating generative sounds, sensually moving between hyper-vivid structures. These are developed through patterns organized in multilevel textures that are rich in sudden changes →
Pen Drive USB/Micro SD – Comatose
It takes around 15 minutes to copy the 15.66 Gb of audio files, videos and texts to our hard disk. This memorable release by Terre Thaemlitz →
CD – 23five
Richard Garet is an investigator accustomed to audio/visual performances that are very careful in the analysis of the spaces and processes that determine the resulting phenomena. His approach often →
CD – Hibernate
The incorporeal beats of “Abstracts On Solitude” give birth to a peculiar ecosystem that burrows deep in our perception, feeding not only on external manifestations. With different releases under →
CD – Alone At Last
“Celtichants”, by Maurizio Bianchi, is dedicated to Lautréamont (Isidore Lucien Ducasse), which brings to mind the idea of a visionary nature, something a little obscure and crooked, →
