Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
University Of Minnesota Press, ISBN: 978-0816699544, English, 632 pages, 2016, USA
The scope of the digital is aptly represented in the scope of the definition of “digital humanities”. Initially acknowledged to be an umbrella term, it is gradually becoming more →
10” vinyl + 2CD + book – Sussidiaria
Tinnitus is normally described as a ringing in the ear, but it may also sound like a pronounced grumble or a clicking, hiss or roaring. Many famous musicians ((Pete Townshend, Ludwig Van →
Oxford University Press, ISBN-13: 978-0190234621, English, 232 pages, 2016, UK
Environmental sound can be defined as the sounds obtained from vibrations structuring a specific environmental context (a forest, an office) producing a psychoacoustic experience. Beyond the different methodologies – from →
Haus der Kulturen der Welt, Berlin / Spector Books, ISBN: 978-3959050937, English, 388 pages, 2016, Germany
Co-curators Stephanie Hankey, Marek Tuszynski and Anselm Franke investigate and oppose the accumulation of data in this catalogue of the exhibition “Nervous Systems” at →
La Gaîté lyrique / Lienart, ISBN-13: 978-2359061659, French, 144 pages, 2016, France
There seems to be a hidden relationship between moments in history when technology instigates historical changes and an upsurge of interest in the paranormal and the supernatural. One →
U.Porto Edições, ISBN 978-9897460920, English, 307 pages, 2016, Portugal
Over the years, Miguel Carvalhais has developed a consistent practice producing music compositions, graphic design, live audiovisual performances and sound art installations. Furthermore, this practice is accompanied by academic work teaching →
The MIT Press / Whitechapel, ISBN-13: 978-0262529341, English, 240 pages, 2016, UK
What is the main difference between a curator and an editor? Apparently it’s mostly attached to the mediums they use (the white box vs. the white page), →
Amsterdam University Press, ISBN-13: 978-9089649492, English, 184 pages,2016, The Netherlands
Time and sound have an indissoluble relationship, one analysed in disciplines related to acoustics, music and media. Wolfgang Ernst has conceived a different approach to this relationship, with a few →
Palgrave Pivot, ISBN-13: 978-1137374844, English, 128 pages, 2016, UK
Corporate capitalism is hard to critique, but there are subtle narratives that can produce interesting effects once properly manoeuvred. In this book, Sarah Kember targets the enigmatic “i”, a terrifically effective concept →
Hatje Cantz, ISBN: 978-3775741026, English, 352 pages, 2016, Germany
Thank goodness we still have major personal exhibitions that produce extensive monographs of relevant artists, without having to rely on publishers’ taste and economics alone. This thick luxurious ZKM catalogue of →
