Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
The MIT Press, ISBN-13: 978-0262036917, English, 344 pages, 2017, USA
Our modern attitude to managing multiple tasks or streams of information seems related to our flexible minds. But the relationship between the ability to manage multiple →
The MIT Press, ISBN-13: 978-0262036207, English, 256 pages, 2017, USA
What kind of ‘materiality’ can be found in our global digital infrastructure? Coupling the tangible hardware presence, the processes presumed to run the whole system →
Thames & Hudson, ISBN-13: 978-0500519288, English, 352 pages, 2017, UK
The immateriality and volatility of music has been progressively shaped in material forms since it became recordable and distributable. These forms have rapidly evolved, reflecting →
Wiley-Blackwell, ISBN-13: 978-1118475201, English, 632 pages, 2016, UK
After her own several updated editions of the anthological “Digital Art” (Thames and Hudson), Christiane Paul has edited another collection of texts aiming to define digital →
University Of Minnesota Press, ISBN-13: 978-0816696086, English, 232 pages, 2017, USA
The social impact of violent videogames has historically been a quite popular issue, generating lively debates in the pyramidal world of mass media first, →
Mousse Publishing, ISBN-13: 978-8867492596, English, 80 pages, 2017, Italy
Tarek Atoui has become known for his intense live performances producing uniquely sophisticated electronics with a true physical involvement. In The Reverse Sessions, a project started →
Polity, ISBN-13: 978-1509501274, English, 240 pages, 2017, UK
The internet as a system of communication has evolved quickly after the propagation of social media. The instantaneousness of dialogues, in the form of posts and comment/chats →
Half Letter Press, ISBN-13: 978-0981802374, English, 32 pages, 2017, USA
Pauline Oliveros’ passing at the end of 2016 has triggered a vast response from all the people inspired and influenced by this unique pioneer musician. →
Bloomsbury Academic, ISBN-13: 978-1501318917, English, 194 pages, 2017, USA
“This is Not a Remix” is a study finally dismantling the usual polarisation between customers and industry, reassessing the social and cultural value of →
Bloomsbury Academic, ISBN-13: 978-1501310621, English, 208 pages, 2017, USA
This book analyses the affordance of technologies in music. Most of the book descriptions and even a good part of the introduction are set in →
