Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
CD – Coda
Early Modern Infrared è un progetto nel quale il duo italiano conosciuto come Dahaka è partito da registrazioni modificate di una fotocamera a scansioni infrarosse e frammenti di musica che risalgono allo stesso periodo nel quale sono →
Univ Of Minnesota Press, ISBN-13: 978-1517902735, English, 376 pages, 2019, USA
While overlooked by many, especially in academia, China is increasingly becoming a different planet, spinning at a different speed. Worse still, Western cultures know and →
3CD – Fylkingen
Åke Hodell è stato un compositore, poeta e autore svedese, la cui storia personale ricorda in qualche modo quella dell’artista Joseph Beuys. Entrambi in giovane età, infatti, furono vittime d’un grave incidente aeronautico di guerra, il primo →
Anthology Editions, ISBN-13: 978-1944860127, English, 332 pages, 2018, UEA
Before the process of sampling and digitalisation revolutionised the music industry ‘Library Music’ was a particular system of music production for a strict elite of professionals in audio →
12” – Le Cabanon
Inizia con ticchettii nervosi e una nenia orientale in sottofondo l’ultima fatica di Yvan Tekoutcheff, aka Yvanko, per Le Cabanon, trattazione che si rivela poi molto lirica ma delicata, puntinista e sensibile, dai passaggi sempre →
Amsterdam University Press, ISBN-13: 978-9089647528, English, 266 pages, 2018, The Netherlands
The inner force and speed of Futurism has produced waves propagating over the decades and through history. Cinema, especially, invented in its modern form at the →
CD – Denovali
Chitarra, basso e batteria, così è composto il setup di Elektro Guzzi, trio formato da Bernhard Breuer, Bernhard Hammer e Jakob Schneidewind, un combo di musicisti che vuole superare il confine fra l’analogico e il digitale predisponendosi →
Jap Sam Books, ISBN: 978-9492852021, English, 265 pages, 20’18, The Netherlands
What is the limit to the documentation that can be provided with a music release? The different formats are usually confined to so-called ‘liner notes’, printed on a →
CD – Unsounds
Volume 1 – Untitled + 2 – The Mute, produzione che va a rimpinguare il catalogo Unsounds, è un progetto per voce e live electronics che è stato registrato in studio in Svezia dopo una serie di →
Rhizome, ISBN-13: 978-0692173084, English, 435 pages, 2019, USA
Twenty years after the well known “net_condition” exhibition at ZKM, ”The Art Happens Here“ is probably the largest project about net art ever realised, produced by Rhizome and →
