Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
magazine, ISSN: 2292-0919, English,, 218 pages, 2014, Canada
Nel liquido territorio d’espressione creativa che utilizza la tecnologia c’è un’area ibrida che comprende – in varia misura – la programmazione, la progettazione, il suono, l’interazione e la scienza. Holo è un nuovo lussuoso magazine, concepito come un primo “best of” focalizzato su queste aree di ricerca: un prodotto davvero “costruito” in maniera professionale. La rivista è stata finanziata attraverso una campagna Kickstarter, che ha raccolto 71.494 dollari – più del doppio dell’obiettivo iniziale – attraverso poco meno un migliaio di “sostenitori”, cifre impressionanti che sono venute insieme questo primo numero (l’uscita prevista è di due numeri l’anno). Il progetto è nato a Toronto intorno al collettivo che ha dato vita al sito web CreativeApplications.net dove la stessa ibrida zona concettuale viene a fondo esplorata nei molti e frequenti post pubblicati. Con un’estetica impeccabile la rivista stampata può vantare classici punti di forza grazie a redazionali su artisti ben noti agli addetti ai lavori quali Chris O’Shea, Semiconductor, Zimoun, con gli articoli, con gli indici visivi e un curioso pieghevole “stream”, oltre a brevi note su importanti stuff/events/news accaduti durante la produzione. Per rafforzare esteticamente la sua identità, il design di copertina e le pagine “partner” (istituzioni che sostengono il progetto), sono “mappe di densità”, “che tracciano tutte le lettere nella rivista”, astrazioni ben congegnate con un programma d’elaborazione sviluppato appositamente dal Moniker Studio. Infine, l’elenco di nomi sul retro di copertina diventa una sorta di lista contestuale, che specifica i riferimenti e l’ispirazione. Questa rivista è benvenuta come una nuova “voce” nel campo dell’arte e della tecnologia: speriamo che possa contribuire ad espandere l’intera scena, entrando a far parte d’una rete di rafforzamento reciproco che troppo a lungo ha atteso per un riconoscimento storico.
HOLO Magazine – Kickstarter campaign video
