Author Archives: Aurelio Cianciotta

Obscurity, the right to blur


Paolo Cirio has researched different social systems in his artistic activity, always finding tactical methods to conceptually destabilize these through the use of contextualized and strategic technologies. In Obscurity (after Overexposed) he once more addresses a facial recognition system, but

Bruckner – Happy End


Moozak, Kazoom#006, 236 pages, 2015

There’s already a small tradition of artists printing computer code on paper to represent respective media. For example, Mishka Henner prints artists’ books with the jpg code of early twentieth-century rare photographs (_IMG01), while David