“Art Post-Internet” was an exhibition curated by Karen Archey and Robin Peckham for the Ullens Center for Contemporary Art in Beijing in spring 2014. This is the specially designed pdf catalogue whose with the front page is created each time with the IP and quite approximated location of the user. It includes tentatively definition of “post-internet” by Cory Arcangel, Simon Denny, and Bunny Rogers, art critics Ben Davis and Paddy Johnson, academics Mark Tribe and Esther Choi, and museum professionals Christiane Paul, Raffael Dörig, Jamillah James, Ben Vickers, Omar Kholeif and Gene McHugh.
CD” – Interval
The dreamily ambient sequences of “+1″, a project by Laura and Mark Cetilia, constitute a fruitful and challenging colloborative work. The precision with which the duo compose has never been greater. Laptops and cello combine to produce a painstakingly thorough acoustic and digital confluence of emotions. Each of the nine songs – in fact – is the result of a collaboration with a different composer, among whom are various celebrities of the experimental audio art scene, such as : Jan Jelinek, Frank Bretschneid, Jen Boyd and Steve Roden, to name a few. Even given the exclusivity of each contribution there still remains a certain homogeniety of inspiration, a seemingly deliberate contiuum of ethereal atmospheres, space-like and imaginitive – never redundant. Among liquid digressions, seething frequencies, drones and machinic reverbs, the contribution of Ido Govrin, Aera C, Kadet Kuhne and Jeremy Drake stand out, as well as RS-232, a Californian artist who delivers a very meaningful interpretation.