“Art Post-Internet” was an exhibition curated by Karen Archey and Robin Peckham for the Ullens Center for Contemporary Art in Beijing in spring 2014. This is the specially designed pdf catalogue whose with the front page is created each time with the IP and quite approximated location of the user. It includes tentatively definition of “post-internet” by Cory Arcangel, Simon Denny, and Bunny Rogers, art critics Ben Davis and Paddy Johnson, academics Mark Tribe and Esther Choi, and museum professionals Christiane Paul, Raffael Dörig, Jamillah James, Ben Vickers, Omar Kholeif and Gene McHugh.
CD – Extreme
Claudio Parodi, inspired by the sounds of Pauline Oliveros (a sensitive composer and accordion virtuoso), takes up the theme of harmonic tuning procedures, producing a mix of assonant, gloomy, melancholic and fascinatingly repetitive sounds. The effects are realised by a limited number of instruments – reduced to minimal background sounds and two Turkish clarinets (metal soprano clarinets). The Italian experimenter aims to affect a synthesis with other authors, in line with the approach he took with a recent homage to Alvin Lucier. This is an operation of stylistic camouflage that – even with all its restrained reflectivity – reveals a potential evolution towards the new digital-acoustic forms and crossovers of the latest electronic research.