Communication guerrillas or strategy, tactics and practice of an unconventional and subversive use of some of the main forms of creativity aimed at sabotaging the most current complex system of rules almost always creeping expression of social relations marked by the power and control. Culture and politics, perceived as closely related areas, not only in their rituals, but also since the most common aspects of everyday life. There are many techniques described here, sniping, fake, subvertising, psychic attacks and plagiarism, alongside the more traditional techniques, borrowed from the historical avant-garde surrealism, dada and situational, that is détournement, cut-up, collage, camouflage and happenings, which forms are all aimed at alienation and the reversal of common sense, the appropriation of public spaces and the physical and mental chaos communication. Are not spared either sides of the artistic mainstream, yet imbued with a sacredness annoying, although mitigated in the most contemporary experience: the practice of Neoism, for example, puts to shame the ideology and the production of art history in a process self-historicization, unrestrained and conscious, often using multiple names and fake identities. Many are the means of social criticism in this book very useful, marked also to stimulate action and acts of resistance against oppression happy and boredom of social discipline. Communication-or guerrilla strategy, tactics and practice of a subversive use and not Conventional some of the main forms of creativity aimed at sabotaging the most current complex system of rules almost always creeping expression of social relations marked by the power and control. Culture and politics, perceived as closely related areas, not only in their rituals, but also since the most common aspects of everyday life. There are many techniques described here, sniping, fake, subvertising, psychic attacks and plagiarism, alongside the more traditional techniques, borrowed from the historical avant-garde surrealism, dada and situational, that is détournement, cut-up, collage, camouflage and happenings, which forms are all aimed at alienation and the reversal of common sense, the appropriation of public spaces and the physical and mental chaos communication. Are not spared either sides of the artistic mainstream, yet imbued with a sacredness annoying, although mitigated in the most contemporary experience: the practice of Neoism, for example, puts to shame the ideology and the production of art history in a process self-historicization, unrestrained and conscious, often using multiple names and fake identities. Many are the means of social criticism in this book very useful, marked also to stimulate action and acts of resistance against oppression happy and boredom of social discipline.