Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Vinyl 12″ – Slimvolume
This vinyl production references modernist experimentalism and is largely influenced by the tradition of spoken word and sound poetry. The tracks are interdisciplinary and proto-multimedia art forms, here developed by artists such as Martha Rosler, Ed →
CD – Persistence of Sound
Beatriz Mercedes Ferreyra is a renowned Argentinian composer who has worked with the Groupe de Recherches Musicales (GRM), run by Pierre Schaeffer since the early sixties. Later, she continued to focus on electronic music, →
CD – Cat Werk Imprint
In this album Olivia Louvel collects nine compositions, inspired by the life and words of Barbara Hepworth. She was an English modernist sculptor, a contemporary of Henry Moore. The artist passed away in 1975 in →
12″ vinyl – BIN
Anders Monrad is quite frank about the bizarre combinations that characterize the making of his third album: “These tracks are based on time stretched sounds created using my first, early attempt at programming a granular synthesizer →
2xLP – Staalplaat
From first impact, the composer Charlemagne Palestine brings us again to the most vibrant and experimental tradition of modern American music – redolent of names such as John Cage, Philip Glass, Terry Riley and La Monte Young. →
CD – Own Release
The themes of introspection, transformation and renovation were already inspirations for Vitor Joaquim’s previous release Impermanence, and for his project HAN, in partnership with Emídio Buchinho. His new release Nothingness, a solo project, is a poetic →
CD – Akousis Records
Xavier Charles on clarinet and Bertrand Gauguet on alto saxophone are a consolidated duo, who began to work together in 2013. SPECTRE, a CD released at the beginning of May 2020 by the Akousis Records, includes →
CD – 901 Editions
In Circular Arguments Adam Basanta once more focuses his transversal skills on the multi-sensorial organisation of changeable choreographies across microphones, speakers, kinetic systems and customised software. For some time now, practices of listening and communication have →
CD – King Tree
Can some obsessive and repetitive sound sequences impress themselves on the listener so much that their continuous repetition creates space for more synthetic, rhythmic and sharp moments? Clearly the composer Ryan Teague, a native of Bristol, →
CD – Thrill Jockey
Emptyset, aka James Ginzburg and Paul Purgas, have published 7 LPs and an even larger number of single releases, EP, compilations and DJ mixes in the past decade. Blossoms, their second work on long form for →
