Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Polity, ISBN-13: 978-1509501274, English, 240 pages, 2017, UK
The internet as a system of communication has evolved quickly after the propagation of social media. The instantaneousness of dialogues, in the form of posts and comment/chats →
CD – Farpoint
Rosa Arruti, better knows under the name Nad Spiro, is a long term activist of the dark-electronic and experimental fields. After the last work on tape, La Casa Encendida, a project featuring Maurizio and Roberto Opalio (My →
The symbolic value of a 3D printer has lowered from a machine that would have ‘fixed’ our daily reality on multiple levels, to one of the many tools to produce something valuable. This technology has suffered the same evolution crisis →
Half Letter Press, ISBN-13: 978-0981802374, English, 32 pages, 2017, USA
Pauline Oliveros’ passing at the end of 2016 has triggered a vast response from all the people inspired and influenced by this unique pioneer musician. →
CD – Pulver und Asche
Delicate sounds, murmured harmonies and no sound editing. “What is recorded is what will be heard,” is the authors’ statement about the project. After a long partnership, Rudy Decelière and Marcel Chagrin release their first →
One of the most powerful stories about incommunicability is undeniably the Tower of Babel. Used as a metaphor, as it was meant to, countless times, it has become synonymous with becoming linguistic strangers to each other. Although this is correct →
CD – Midira
Under the alias of Tegh, in Downfall, the Iranian electronic sound artist Shahin Entezami sets together some elements of noise and repetitive, charming, melodious ambient loops. It would be hard to imagine without prior research, but the →
Neural #58 extra is an intervention by Martin Bricelj Baraga. His ‘Cyanometer’ is a monument to the blueness of the sky. It is inspired by the original Cyanometer by Horace-Bénédict de Saussure in 1789. The Cyanometer is both a monument →
Neural 58, Archivism (the dynamics of archiving) + extra: Cyanometer by Martin Bricelj Baraga. Subscribe now!
Issue #58, Autumn 2017 ISSN: 2037-108X
Subscribe now! because only subscribers will get a free Cyanometer by Martin Bricelj Baraga.
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Bloomsbury Academic, ISBN-13: 978-1501318917, English, 194 pages, 2017, USA
“This is Not a Remix” is a study finally dismantling the usual polarisation between customers and industry, reassessing the social and cultural value of →
CD – Errant Bodies
This release by Tao G. Vrhovec Sambolec is the result of two different sound projects, a live performance in 2010, Outline , and an installation from two years later, e Caressing the Studio. Both projects shared →
A relief is a sculpture which extends from a two dimensional plain into three dimensional space. The installation “Relief” by Mike Rijnierse approaches this form from a sonic perspective, employing echolocation to turn the perception of a surface into the →
Bloomsbury Academic, ISBN-13: 978-1501310621, English, 208 pages, 2017, USA
This book analyses the affordance of technologies in music. Most of the book descriptions and even a good part of the introduction are set in →
CD – DSS2016
20.20, by the sound artists Maria Salgado and Ixiar, originates from a project supported by the Observatorio de la Escucha, during the events planned in San Sebastián, European Capital of Culture in 2016. The release records →
