Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
On the same day of the attack to studies and repeaters of the Iraqi TV and Iraqi Satellite TV (also in potential violation of the Geneva Convention, as reported by Amnesty International), but they still back →
Source is the part (in advance) dedicated to the new media of the Image Festival (IF) of Toronto, which opens in April. Fourteen installations told in the site according to a kind of 'behind the scenes' →
The 'corporate image' and 'branding' are delicate land already in the space of bodies, but become much more elusive in the immaterial spaces of cyberspace. the caustic Curt Cloninger of lab404 drew the direct consequences in →
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27.03.03 Invisible Cities, sounds of the cities.
Supervised by Christopher Murphy of Fällt and Shan McAnena, Invisible Cities is a territorial sound art exhibition held in the →
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27.03.03 Version 3, Technotopia vs. Technopocalypse.
After last year’s edition, dedicated, with a fair amount of forethought, to the ‘digital commons’, the digital art festival named ‘Version →
The mainstream media continue to overflow of information about the war, but also the independent ones begin to play their part as even the Wall Street Journal has noticed the phenomenon of blogs on the war →
After Einstuerzende Neubauten that they last tried to mobilize fans to produce the new album is now up to the British band Radiohead ask the public to contribute their short length from 10 seconds to about →
Inaugurated in Toronto March 26th 2003 edition of Digifest this year dedicated to the analysis of 'Electronic Cities', in many of their innovative perspectives. Urban transformations triggered by the new media, in fact, involve both the →
Among the muffled explosions reported in the news and the use of synthetic animation to describe the conflict in Iraq, is shaping a kind of habit and visual recognition of war news. W4R Antonio Dominguez, accelerates →
After the escalation television that he did also victims on both sides (see From the belly of the beast – the propaganda machine of war) , the media war continues at the side of the real →
Synesthesia apart, each painting can inspire sounds, depending on the cultural background propio and conditions of use. en.ve.lope is a project that consists of a number of works online (enclosed in the 'dynamic' of his site) →
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26.03.03 CyberZoo, simulated virii exhibition.
Computer virii are an extreme form of communication, infused with the appeal of the unrestrained reproduction normally associated with the organic universe. →
Hacking video is a short film dating back to '99 by Manuel Saiz, a fictional documentary, in which an activist of video art is a self-proclaimed 'video hacker', and manipulates movies rented in a video shop, →
Innsonik ? another project sound visualization of innothna artcomm, already responsible for INN_SS02_e1 . The approach taken this time? that of the interactive videogame in which the user sweeps visually in three-dimensional spaces with simple shapes. →
