Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
The descriptive ability of language have undoubtedly experienced a sharp acceleration from the possibility of confrontation and access, greatly amplified by the horizontality of the network. The acquisition of new possibilities to →
The definition of 'waves' sound represents an abstraction of the vibrations in the air with the sounds originate. But the choice of a representation that invokes the concept of 'liquid' (the waves, in fact), makes →
The methods of musical composition have been radically transformed within a few years by the software and its interface conventions. But this has also led the association processes of the sounds to be much →
Mashup, cutup, plagiarism, or whatever you want to call it, the creative use of clips and samples of songs more or less famous is so well-established practice that begins to make itself →
Biometrics, which is the automatic recognition of individuals through some of their details such as facial features or fingerprints, is far from being abandoned as a result of constant disappointing results. The authorities tecnofile →
Seoul Museum of Art The game and its reworking of reality through a precise system of rules is one of the keys to understanding the contemporary culture permeated by a widespread need →
Thames and Hudson, ISBN 0500203679 The multiple roots on one side and the other ramifications of digital art will continue to make an object fascinating and elusive at the same time for the →
It takes place from 4 to 8 February 2005 edition of, Transmediale , the massive media art festival that takes place every year in Berlin. This year hundreds of guests and a →
Already inaugurated on January 14, hack.it.art , is the event that is bringing for the first time in the German capital, landscape, probably unique, experience of activism Italian who synthesized and artistic aspects of innovation →
The installation Translator II: Grower Sabrina Raaf, on display at the Kunsthaus Graz and the Peeler Art Center, consists of a small robotic vehicle that moves around the perimeter of a room, touching →
With ' The White Room 'the artist (based in London) John Paul Bichard enjoys playing with the idea of a multi-level dimension in which they intersect and overlap urban space and digital surfaces. →
Display the music seems to be one of the 'necessity' art of the last decade. The projection of spontaneous generated, algorithmic, abstract, poetic or simply arbitrary visual interpretations of music (performed or reproduced) is →
The intent of Iain Mott and Marc Raszewski (with Jim Sosnin already authors of Sound Mapping ) Summoned Voices acts as 'living memory of places and people'. In practice it is an interactive sound →
Minimal Games was a workshop open to all where you learned how to build simple games. A popular among children, offered material available to assemble and program interaction, highlighting how few buttons and lights →
