Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
4 miniCD – Absinth
This album’s artwork is immediately striking and very original: it is made of a foldable cardboard of good quality, hand shellacked by Renkel (with a dense acrylic bluish →
Brian Eno releases iPhone music app | Beatportal
Developed by ambient pioneer Brian Eno and musician / software designer Peter Chilvers, Bloom explores uncharted territory in the realm of applications for the iPhone, a generative music player takes over when Bloom →
Untethered
Untethered is a sculpture garden of everyday objects deprogrammed of their original function, embedded with new intelligence, and transformed into surrealist and surprising readymades, including a photocopier that reads the night sky; a PDA turned guitar; and a piano that →
Avant Garde Project – 20th Century Classical, Electroacoustic, Avant Garde Music Downloads
The Avant Garde Project is a series of recordings of 20th-century classical-experimental-electroacoustic music digitized from LPs whose music has in most cases never been released on CD, and so →
The “Goldbergian Voting Machine“, built over an eight week period by a group of students at UCLA’s Design | Media Arts program, is a fully functional voting machine constructed from →
TRONDHEIM MATCHMAKING 2008
Festival for art and technology, Trondheim Electronic Arts Centre (Norway)
(tags: art festival media sound)
Machines that Almost Fall Over di Michael Kontopoulos é una scultura fatta di diverse tavole angolari con un semplice meccanismo ad orologeria montato su che alza e poi lascia cadere un martello sulla →
mæve installation
Placing physical project cards on an interactive surface, the visitors can explore an organic network of projects, people and media. mæve is designed and developed by the Interface Design team of the University of Applied Sciences Potsdam.
(tags: art visual →
Media artist and Associate Professor of Electronic Time-Based Art at Carnegie Mellon University Golan Levin, has created the “Double-Taker (Snout)“, an interactive installation that examines the connections between trans-species eye contact, gestural choreography, →
Open Ear
Open Ear, is a loose collaborative group of like minded individuals creating audio-visual art and organising live events within club, gallery, open air or site specific venues. Our principal interests include collaboration, live performance, generative audio-visual work, hybridised art, →
dance-tech.net
dance-tech.net is conceived as a social on-line destination for international movement artist, theorists, technologist and organizations intersecting embodied performance and new media
(tags: art video performance)
Enrico Costanza, PhD student at the Media and Design Laboratory of Lausanne’s Ecole Polytechnique Fédérale, has focused his research on designing objects that can bring digital and physical worlds closer. His “Audio d-touch” →
CD – Baskaru
This is the third and final episode of the Hypernatural series, which is inspired by research into Far Eastern organic sounds. It is distinguished by sensitive audio “transparencies”, obtained →
CD – Synesthesia Recordings
Self-published by authors Federico Placidi and Matteo Milani, a.k.a. “Unidentified Sound Project”, this album opens with a section entitled “Quantum Dripping” (three tracks), which relays →
