Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Aksioma / Mladinski center Velenje, ISBN: 978-9617173000, English, 230 pages, 2022, Slovenia
Within the contemporary media landscape, the interview format is typically used to capture ‘momentum’ – it presents the personal opinions of a current celebrity →
Cameras, recognition software, walls, borders … we are growing more and more accustomed to sacrificing humanity and privacy in the name of some sort of promised security, or even for much less. The ideological and practical boundaries between what is →
Il processo di cifratura delle informazioni per migliorarne la sicurezza è uno dei paradigmi moderni per proteggere i dati dalla miriade possibile di occhi digitali invisibili. Esemplificati dalla strategia di Wikileaks al livello dei mass media, i dubbi fondamentali – →
Nonostante la moda sia spesso considerata superficiale, limitata a vetrine e riviste patinate, si deve anche riconoscere che da sempre ha precorso ed è stata portavoce di certe tendenze culturali e di molte evoluzioni nella storia della società umana a →
Uno spazio asettico, un solo tavolo e su di esso un telefono e un grosso volume… un elenco telefonico. Sembrerebbe l’ambiente adatto per fare una telefonata. E le telefonate effettivamente →
Pixelhead è un semplice passamontagna fatto però con un materiale simile a quello con cui vengono fabbricati I costumi da bagno. Le sue caratteristiche estetiche sono però particolari: il motivo decorativo scelto dall’artista Martin →
Una densità altissima di dispositivi di rilevamento dati affolla lo spazio dell’installazione “Paranoid Shelter“, un progetto del gruppo di architettura di ricerca fabric | ch. Nonostante la parola “shelter” (rifugio) richiami l’atavico senso →
Le cornici digitali sono divenute, in pochissimo tempo dalla loro comparsa, oggetti tanto popolari da non poter rimanere al riparo dalla curiosità di un qualche sperimentatore estetico; accade così che Constant Dullaart abbia esteso →
Kyle McDonald è ben noto per le sue esplorazioni sui confini dello spazio pubblico e privato nel nostro mondo post-privacy. Con il suo Keytweetersi è volontariamente messo sotto sorveglianza digitale per →
Niklas Roy si diverte a giocare con il concetto di privacy con una recente installazione interattiva: My Little Piece of Privacy . Per difendere il proprio laboratorio berlinese da sguardi indiscreti si →
