Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Neural 65, Post-Growth + extra: Redirecting Networks + extra: Critical Atlas of Internet by Louise Drulhe. Abbonati ora!
Issue #65, Winter 2020 ISSN: 2037-108X
L’extra esclusivo per gli abbonati (Critical Atlas of Internet by Louise Drulhe. by Louise Drulhe) →
Neural #65 extra is an intervention by artists Louise Drulhe in the form of a booklet and a critical text (“Beyond Lines and Nodes”) by Kristoffer Gansing (ex artistic director of Transmediale).
In the words of Druhle:
“Through a →
Neural 64, Post-Growth + extra: Post-Growth Toolkit by Nicolas Maigret and Maria Roszkowska. Abbonati ora!
Issue #64, Autumn 2019 ISSN: 2037-108X
Abbonati ora! perchè solo gli abbonati potranno ricevere gratuitamente l’extra: Post-Growth Toolkit by Nicolas Maigret and Maria Roszkowska.
Puoi anche abbonarti →
Neural #64 extra is an intervention by artists Nicolas Maigret and Maria Roszkowska. Their ‘Post-Growth Toolkit’ is made of an embroidered patch, sampling a graph of world energy consumption (1800-2017) continued by a post-growth scenario, plus a text introducing →
Neural 63, Surveillance Surveyed. Abbonati ora!
Issue #63, Summer 2019 ISSN: 2037-108X
Abbonati ora!
Puoi anche abbonarti all’Edizione Digitale e consultare le precedenti edizioni fino alla numero #29.
Oppure puoi comprare la rivista in oltre 200 rivenditori vicino a te. E’ →
Neural #61 extra is an intervention by artist Jane Birkin. Her ’#officetruism’ is made of a set of ten coloured different postcards with statements about ‘office culture’. A page on Neural #61 shows the postcards juxtaposed, but in grey →
Neural 61, Speculative Pink + extra: #officetruism by Jane Birkin. Abbonati ora!
Issue #61, Autumn 2018 ISSN: 2037-108X
Abbonati ora! perchè solo gli abbonati potranno ricevere gratuitamente l’extra: #officetruism by Jane Birkin.
Puoi anche abbonarti all’Edizione Digitale e consultare le precedenti →
Alex Adriaansens was simply one of the best persons I’ve ever met among thousands.
Trough the foundation and development of V2_ he put Rotterdam on the map as one of the leading cities in new media art since the early →
Neural 60, Blockchain. The Trust Catalyst. + extra: The Maker’s Bill of Rights by Garnet Hertz. Abbonati ora!
Issue #60, Summer 2018 ISSN: 2037-108X
Abbonati ora! perchè solo gli abbonati potranno ricevere gratuitamente l’extra: The Maker’s Bill of Rights di →
Neural #60 extra is an intervention by Garnet Hertz. His ’The Maker’s Bill of Rights’ is a manifesto for Critical Makers condensed in a detachable sticker. It is completed (both theoretically and graphically) by his essay “We Need Something Better →
