Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
In addition to the institutional festival, with the growth of electronic artists of the international community, is to grow with the need for self-organized meeting that will contact the independent software developers to create with those who use them to develop its work or its performance. It was with this spirit was born 320×240, video.lab.camp.event Samogor to be held in the island of Vis, Croatia. August 7 to 12. At a price of 120 EUR for the whole event, this' camp 'home video artists that in addition to holding workshops about their products and techniques will be active with performances, presentations, and most importantly available to the exchange and human contact all the time in' an informal atmosphere. At the cusp between the size of Personal and home video art and the assumption of the paradigm of the DJ by video manipulators with the figure more and more predominant vj, in the introduction to this meeting has the potential to make a significant cross this large and vibrant scene . Many invited guests including Italians Jaromil (FreeJ) and Candida TV, Daniel Fischer subsignal.org, Dunja Kukovec present at scan-line.org/foobar, Ivan Marus specializing in video feedback and error situations, Jeremy Schaller, professor of video scratching and supporter of the event in New York weekly 'open-mixer' share.dj, Juergen Moritz, Stay, and the tool Rebelle analog, Tom Bassford of PirateTV and part of the development team VJamm 2, software distributed by the label Ninja Tune, ZDEN author of the software for VJs Circulation and Zlatan Filipovi ¾, a professor at the Academy of Visual Arts in Sarajevo, and a member of pro.ba media lab, as well as vj thirty that will alternate on different days.
