Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Oltre ai festival istituzionali, col crescere della comunità internazionale di artisti elettronici, sta crescendo di pari passo la necessità di meeting autorganizzati che mettano in contatto gli sviluppatori autonomi di software di creazione con chi li usa per sviluppare i suoi lavori o le sue performance. Proprio con questo spirito nasce il 320×240, video.lab.camp.event che si terrà a Samogor, nell’isola di Vis, in Croazia. dal 7 al 12 agosto. Al prezzo di 120 euro per tutto l’evento, questo ‘camp’ ospita artisti video che oltre a tenere workshop sui loro prodotti e tecniche saranno attivi con performance, presentazioni e soprattuto disponibili allo scambio e al contatto umano per tutto il tempo in un’atmosfera assolutamente informale. Alla cuspide fra la dimensione personale e casalinga della videoarte e l’assunzione del paradigma del dj da parte dei video manipolatori con la figura sempre più preponderante del vj, questo meeting ha nelle premesse il potenziale per dare uno spaccato significativo di questa ampia ed effervescente scena. Molti gli ospiti invitati fra cui gli italiani Jaromil (freeJ) e Candida TV, Daniel Fischer di subsignal.org, Dunja Kukovec presente a scan-line.org/foobar, Ivan Marus specializzato nel video feedback e nelle situazioni di errore, Jeremy Schaller, docente di video scratching e sostenitore a New York dell’evento settimanale ‘open-mixer’ share.dj, Juergen Moritz, Restate e il tool analogico Rebelle, Tom Bassford di PirateTV e facente parte del team di sviluppo di VJamm 2, il software distribuito dalla label Ninja Tune, ZDEN autore del software per vj Circulation e Zlatan Filipovi¾, docente all’Academy of Visual Arts di Sarajevo, e membro del pro.ba media lab, oltre a trenta vj che si alterneranno nei diversi giorni.
