Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Cassette – Domizil
In over thirty different excursions Claudio Landolt has accumulated more than one hundred hours of recordings in the vicinity of the Vorder Glärnisch, a mountain that dominates the Linth Valley in the Swiss Alps. The audio-capturing techniques used in the project are varied, ranging from aerial recordings to the creation of electromagnetic fields and audible seismic data. Equally diverse were the results obtained which led to the composition of an enthralling sound journey over two tracks, representing a passage from the exterior of the mountain to its interior. The research undertaken by Landolt also formed the basis for a related poetry project – a series of conceptual texts that investigate the sound of the mountain in question at a linguistic level. These texts are published in the book Nicht die Fülle / nicht Idylle / nicht der Berg (Der gesunde Menschenversand, April 2021) and complement the sound compositions, allowing us to appreciate the different cultural and creative confluences of the project. Some of the recordings made for this project are documented with a series of short videos posted on Vimeo, featuring both sounds and readings from Landolt. The multifaceted artist is at ease in the declamatory guise of a poet, thanks to not only the use of sounds and words, but also a commanding sense of purpose that cleverly articulates both the complexity and versatility of this project. Influenced by the cut-up techniques of the beats and the textual collages of the Surrealists and Dadaists, this is a wonderful contribution to the field of visual poetry.
Claudio Landolt – Nicht die Fülle / nicht Idylle / nicht der Berg – Vorderglärnisch. Bergporträt
