Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
CD – Persistence of Sound
Beatriz Mercedes Ferreyra is a renowned Argentinian composer who has worked with the Groupe de Recherches Musicales (GRM), run by Pierre Schaeffer since the early sixties. Later, she continued to focus on electronic music, establishing working relationships with several international institutions, working as a teacher and releasing solo projects regularly since the early noughties. We begin listening on the A side of the vinyl with “Huellas Entreveradas“, a 14 minute composition whose structure is vibrating, sensitive and spatial, with granular sounds and cosmic whirlpools, empty moments and ambient restarts, whose repertoire moves from a vintage electroacoustics to a more contemporary and fragmented taste. On the B side we encounter the full-bodied “La Ba-Balle du Chien-Chien a la Me-Mere”, a composition including dilated themes and some field recordings. The third track, “Deux Dents Dehors“, is shorter (only 4 minutes): a playful sonic collage with odd vocal inserts, partially deriving from children’s toys. The release is due to Persistence Of Sound, a new independent label focusing on concrete music, field recordings and all the unconventional sounds in between these two poles. Obviously this trend is perfectly on track with this album, which introduces three new contemporary compositions, proving Ferreyra continues to create engaging sounds within this artistic field. This is the sign some manners and intuitions cannot be so easily forgotten, as many may think, especially when they are the result of consistent study and deep evaluation. In the case of this composer, this is undeniable and her whole repertoire of experiences makes all the difference, especially within this genre. During her career, Ferreyra had worked with the music research of RAI (Italian National TV), taught in the States, and had figures such as György Ligeti, Nadia Boulanger and Bernard Baschet as teachers. You cannot fake talent. The talent is study and preparation.
Beatriz Ferreyra – Huellas Entreveradas
