Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
2CD – Herbal International
The number of sound sources available in large harbour areas such as Le Havre in France and Liège in Belgium is immense. The coexistence of natural elements, uninhabited areas and industrial areas allow for special and interesting audio captures. In most of these cases the captures originated in locations that relate to the presence of human activities. The recording of many of these captures in Zones Portuaires was structured by the daily work schedules that dominate the areas, and many were captured in places normally forbidden to the public. Eric La Casa and Cédric Peyronnet decided to work separately: the work is divided into two different CDs, the result of live events that took place in September 2010 at the PiedNu festival in Le Havre and in the Chapelle Saint-Roch in the beautiful francophone city capital of the Walloon region. In both cases, the results are really fascinating and the people at Herbal International (the label that produced this release) should be very pleased. The site-specific investigation is developed with extreme coherence and the complexity of the work generates additional value thanks to the quality of the sounds and sequences, which are wonderfully framed and subjected (apart from a few cases) to some light and refined editing. The passages are filled with several dilated recordings but also with different kinds of audio emergencies and sounds: echoes, overlaps, winces, etc. Although such techniques are common heritage of an artistic wave that has been defined in a very coherent and sensitive way, the touch of the author remains individual and perceptible.
Cédric Peyronnet – kdi dctb 258 [b] from “Zones portuaires CD” – extract
