The transformation of a piece of music data in binary is not, of course, merely a technical process. The theoretical and practical implications arising from the infinite manipulability of the data obtained are numerous and diverse. The scorporeizzazione of the songs, and especially their subsequent atomization in individual moments of sound makes them an ideal dust of microsounds miscible or filterable at will. VTMZ Victor Liu, formerly of Children of the Bureaucrats of the Revolution and Delter and Raygun , is a project in which belebri music edited in real time are transmitted to the user's request. The process of transformation, called 'Vatermuzik' consists of open source software in the first place that removes the non-harmonic parts of a recording, then passing it to a synthesizer Clavia Nord Rack 3, which through its patch shapes the piece in various forms and, although clearly recognizable distant from the originals. That's why they are called 'derivative versions', ie derived from the original versions, which may also be different depending on the time of listening. In this way, the massive use of material protected by copyright is made unassailable from the transformation. The complex technologies (hardware and software) used for the same transformation algorithm which implies un'astratto plasma songs according to a personal path, which could be changed into a myriad of other ways of getting more artifacts unaffected by the gendarmes of copyright. is yet another, if there was any need, evidence that the manipulation of the musical heritage is not only a technically reproducible inescapable art form, but a natural and inevitable technological possibilities.