Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
.hacktivism
13.12.02 Plug & Pray, choose your religion.
Developed both in italian and in english, thus revealing its geographic location, Plug & Pray is a successful joke site which, behind the appearance of an imaginary corporation (‘Holy Soft’), proposes perfectly packaged and serious-looking software kits for changing religion in case of need. The packages formally include the most popular faiths (Christianity, Judaism, Hinduism, Islamism and Buddhism) and should include the respective sacred texts on cd-rom, some ‘cards’ for quickly distinguishing ceremonial paraments, a hardware board for accelerating one’s performances and codes for accessing the help desk, the information services and the ‘tips from the experts’ section. Besides the standard kit, there are also deluxe kits which, as well as having personalized packages, include the access codes for the ‘premium’ version of the site. The offer is completed by the ‘switch’ kits for multifaceted realities, such as ‘Palestine’ (jewish-muslim) and ‘Ulster’ (catholic-protestant). Formalizing the social and political products of religious faiths in the forms of the immaterial industry, this operation effectively communicates both the strategically political and control-keeping role of the faiths themselves and their growing transformation in an ‘advanced tertiary service’ which permits, like the national languages, to communicate with other realities by temporarily adapting their interests/goals to one’s own beyond the mystical aspects. Although the authors of this site couldn’t resist to adding another kit named ‘Prega Italia’, which makes fun of the similarly named political party, they unfortunately end their joke at the ecommerce order form page, which asks the customer to buy one of the member’s t-shirts instead.
