Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
La combinazione di musica e tecnologia portatile preannuncia interessanti sviluppi per un settore in rapida espansione. Dispositivi come cellulari, Walkmans e iPods hanno già integrato la musica nel mondo errante dei loro utenti, →
CD – Glacial Movements
L’estetica agita tra i solchi delle sei dilatate ed eleganti incisioni che compongono il nuovo progetto di Netherworld, alias di Alessandro Tedeschi, fondatore della Glacial Movements, è volutamente assai →
dvd – Line – Line_030
Nella ‘sonoluminescenza’ l’attuale enfasi sulla convergenza fra scienza e arte s’incontra con l’urgenza di dare al suono una dimensione sonora, cha ha pervaso la spazio d’ascolto nell’ultima →
Mediaterrae photo set
La scaltra idea del team curatoriale del festival Interferenze è stata stavolta di portare un gruppo internazionale di artisti elettronici (visuali e sonori) al carnevale molto particolare di Montermarano, durante la →
Sound Modulated Light #1 is a lights-and-sounds project designed by Edwin Van Der Heide, an artist from The Netherlands. Considering the dynamics triggered to activate the installation, Sound Modulated could be →
Le audio cassette, il medium che ha offerto a milioni di utenti infinite possibilità di ricombinare in chiave personale suoni ed emozioni introducendo la moda della compilation auto-prodotta, sembrano ormai un ricordo di →
Guarda il set di foto del DEAF qui
Il Deaf (Dutch Electronic Art Festival) è sempre stato diverso dagli altri festival, con una esperienza di lunga data (il V2_ che l’organizza ha celebrato i →
CD – Apegenine
Sonorità assai intime ed evocative di paesaggi naturali quelle di Emanuele Errante in ‘Migrations’, ben focalizzando dopo le precedenti esperienze sotto il moniker di Mais e l’ep ‘Absolute’ (per →
Il famoso ‘Protrude Flow’ permanentemente in mostra all’Ars Electronica Center di Linz, è una delle poche opere d’arte in forma di spettacolari sculture elettromagnetiche. La sua capacità di creare forme rotondeggianti a partire →
CD – Latek
Elaborazioni elettroniche estremamente melodiose quelle di Tim Thwaites, Matthew Clare, Jema Davies e Clare Hunt, in arte Radium 88, intrise da struggenti melanconie ed ambientalismi drone, seguendo rarefatte sintonie →
