Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
University of Minnesota Press, ISBN-13: 978-1-5179-0059-5, English, 472 pages, 2018, USA
Our senses have been through the most drastic redefinition of their functioning since the introduction of electricity. Touch, indeed, has an historical fame →
The MIT Press, ISBN-13: 978-0262034180, English, 312 pages, 2016, USA
La storia di I.T oltre la cortina di ferro si sta lentamente scrivendo, un libro ala volta. Questo libro cerca di rispondere alla domanda: →
University of Minnesota Press, ISBN-13: 978-1517900854, English, 359 pages, 2016, USA
The Perversity Of Things è un libro eclettico e con una selezione di testi di uno degli autori più prolifici ed interessati ai temi dell’innovazione e dei media. Hugo →
University Of Minnesota Press, ISBN: 978-0816699544, English, 632 pages, 2016, USA
La portata del digitale è giustamente rappresentata nell’ambito della definizione “digital humanities”, termine che inizialmente riconosciuto come piuttosto generico adesso sta gradualmente diventando più specifico. La propensione corrente è →
W. W. Norton & Company, ISBN-13: 978-0393244816, English, 400 pages, 2015, USA
Uno dei più suggestivi paradossi del nostro tempo risiede proprio negli smartphone personali. Il nostro uso quotidiano di questi iconici e progressivamente apparati factotum, atti a vari livelli →
University Of Minnesota Press, ISBN-13: 978-0816694419, English, 240 pages, 2015, USA
Siamo in grado di tentare una definizione di “sovraccarico di informazioni” come una sproporzione percepita tra la quantificazione delle informazioni che ingeriamo e la nostra capacità di metabolizzarle. Chiaramente →
DIY, English, 164 pages, 2014, The Netherlands
Nel primo decennio dell’internet commerciale, l’ecologia delle informazioni è stata di dimensioni ancora immaginabili, poi a causa della crescita naturale, dell’influenza dei giganti online e dei social media, tutto è decisamente cambiato, con →
PML Books, ISBN-13: 978-1906496968, English, 188 pages, 2014, UK
Il Post-Media Lab, che è un’emanazione della crew della rivista Mute, presso l’Università Leuphana, è diventato un eccitante punto di riferimento per una serie di artisti e ricercatori. Essi hanno sviluppato →
The MIT Press, ISBN-13: 978-0262028127, English, 304 pages, 2014, USA
Uno degli ultimi bastioni dei media indipendenti negli Stati Uniti, la trasmissione FM a bassa potenza (LPFM), è stato regolato dalla legge per mezzo d’una concessione di frequenze, che sono →
Bloomsbury Academic, ISBN-13: 978-0857856616, English, 232 pages, 2014, UK
Il vinile è uno dei più antichi media che ancora sopravvivono, con una miscela intrigante di tattilità, qualità del suono e impatto visivo. Dopo un sacco di libri sul collezionismo compulsivo, →
