Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
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18.01.02 Digital Culture conference.
Si svolge oggi e domani (18-19/01), presso il Humanities Research Institute dell’Universitˆ della California, la conferenza Digital Culture: Epistemologies Subjectivities, primo di tre →
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18.01.02 Zaumma, computer art a Napoli.
E-Marts presenta domani (19/01) presso lo studio Morra a Napoli, ‘Zaumma’, un’installazione di Maurizio Bolognini che consiste in 20 computer programmati →
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17.01.02 La Copenhaghen ideale.
La net.art ha sempre trovato un fertile terreno nei concetti dell’architettura, sviluppabili in una dimensione che, essendo priva di forze fisiche, lascia campo →
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17.01.02 Manipulator.
È prevista per stasera (17/01) al Kiasma theatre di Helsinki (Finlandia) Manipulator, una performance di sei ore eseguita da Marita Liulia, Kimmo Pohjonen e Aki →
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17.01.02 V!rus.
Si tiene da oggi fino al 19 gennaio al Kunst und Ausstellunghalle di Bonn (Germania), V!rus, un simposio sugli aspetti virali nella storia, medicina, politica →
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16.01.02 Videogame art (2): Children of the Bureaucrats of the Revolution.
Children of the Bureaucrats of the Revolution è un set di danze creati a partire dall’engine →
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16.01.02 Future Film Festival 2002.
S’inaugura oggi a Bologna la quarta edizione del Future Film Festival, rassegna dedicata alle nuove tecnologie dell’animazione. Spicca l’anteprima italiana dell’atteso ‘Il →
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16.01.02 Videogame art (1): Atari Noise.
Atari Noise è un’operazione dell’artista Arcangel Costantini, che recupera, smontandone i presupposti funzionali, l’Atari VCS (Video Computer System), una consolle per →
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15.01.02 Scyphiform:: Confluence: Glutinate, net art storica.
‘Scyphiform::Confluence:Glutinate’, è una delle opere ‘storiche’ di net art che risale al 1998, nell’era pre-flash e pre-banda larga, in cui →
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15.01.02 Fuzzy Dreams, net art del loop.
Fuzzy Dreams è un lavoro di net art di Doctor Hugo, artista e ricercatore belga. È sostanzialmente costituito da una →
