Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
– Venerdì a Roma, al Bluecheese
.Atomic Hooligan (Botchit and Scarper rec.) uk + Pastamatic crew i
– Venerdì ad Arezzo, ad Arezzo Wave
.Dj Vadim (nella foto) and Russian Percussions int
– →
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06.07.01 Defacement australiani.
Quarantotto sono i siti australiani che hanno subito il maquillage forzato dell’home page imposto da ‘L4m4’, un hacker australiano che ne ha così denunciato →
.emusic
06.07.01 Aimster, nuovo capro espiatorio.
Aimster offre al momento un’interfaccia e un’installazione semplici quanto quelle del Napster originario. Probabilmente anche per questo sta diventando il capro espiatorio →
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05.07.01 Retrospettiva su Mark Amerika.
Il Media Arts Museum di Tokyo, nell’ambito della rassegna ” TARGET=”new”>Avant Pop ha dedicato una sezione retrospettiva a Mark Amerika, esponendo molti →
.emusic
05.07.01 Khan ad ArezzoWave.
Questa sera ad Arezzo, per la rassegna ArezzoWave, concerto di Khan and The King Congo Powers (Matador records).
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05.07.01 Blue Stories a Roma.
Questa sera a Roma, alla Galleria Comunale d’Arte Moderna e Contemporanea, verrà presentato ‘Blue Stories‘, il nuovo spettacolo di Roberto Paci Dalò. →
.emusic
04.07.01 Safeaudio, ancora cd protetti.
La Macrovision Corporation ha sfornato un’altra tecnologia per la protezione da copia dei compact disc. Si chiama Safe Audio, ed è una →
.hacktivism
04.07.01 Screen saver anti corporation.
Nel giorno della festa dell’indipendenza americana il gruppo di attivisti di Adbusters ha lanciato Flag Jam un’iniziativa di disobbedienza civile che ha →
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04.07.01 Legge editoria: eretico sotto accusa.
Eretico.com era un sito che prendeva per i fondelli la religione cattolica e fu sequestrato a giugno (vedi Sequestrato Eretico.com). Ora →
.emusic
03.07.01 Thievery Corporation e St. Germain a Milano.
Stasera al Centro Sportivo Saini di Milano concerto di Thievery Corporation (nella foto), St. Germain e dj set di →
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03.07.01 Invisible Nation.
È online il primo numero di Invisible Nation, sito che raccoglie pezzi d’arte interattiva, perloppiù in Flash e Shockwave. In quest’uscita ‘Sonic Breakbeat’ (nell’immagine), →
.hacktivism
02.07.01 Peekabooty, software anti-censura.
Il gruppo di hacker radicali Cult of the Dead Cow ha annunciato a breve la release di ‘Peekabooty’ un software che a detta →
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02.07.01 Moduli acustici sensibili.
Oggi al Goethe-Institut di Rotterdam s’inaugura oggi ‘Sensible akustische Modules‘, un opera di moduli acustici appositamente disegnati da tre artisti di Colonia: Felix →
.emusic
02.07.01 Liquid Audio watermarking.
Liquid Audio ha annunciato la registrazione di un ennesimo brevetto ottenuto dall’U.S. Patent Office per il watermarking dei brani audio digitali. La nuova →
