Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
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17.12.01 Subsol issue 0.
Secondo numero della rivista internazionale di critica dei nuovi media Subsol, numerata come ‘0’ dopo il precedente numero ‘1’. Suddivisa in sezioni (‘Spaces →
.hacktivism
17.12.01 Quantum Cryptography.
La ‘quantum cryptography’ sembra essere l’ultima frontiera della messa a punto di codici di crittazione inestricabili, basandosi sulle notevoli possibilità trasmittenti delle fibre ottiche. →
.hacktivism
17.12.01 Quantum Cryptography.
La ‘quantum cryptography’ sembra essere l’ultima frontiera della messa a punto di codici di crittazione inestricabili, basandosi sulle notevoli possibilità trasmittenti delle fibre ottiche. →
.emusic
17.12.01 Nanoloop, sequencer per Game Boy.
Nanoloop è un sequencer/sintetizzatore per Nintendo Game Boy, sviluppato da Oliver Wittchow, studente della Hochschule fur Bildende Kunste di Amburgo (Germania). →
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17.12.01 Geert Lovink archive.
Geert Lovink è uno dei maggiori teorici dei nuovi media, ma solo da pochi giorni ha inaugurato la nuove versione del suo personale →
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17.12.01 Beehive 4.3.
È online l’uscita 4.3 di Beehive, rivista di letteratura digitale (‘hypertext e hypermedia’). In questo numero: estratti dagli ebook di Alt-X, casa editrice di →
– Venerdì a Torino, al Notorius
.Label Party (presentazione del #4, nell’immagine) con Giorgio Valletta e Alessio Bertallot, d’n’b .i
– Venerdì a Roma, al Brancaleone
.DJ Hyper & Meat Katie, breakbeat .uk
→
.hacktivism
14.12.01 Sklyarov libero.
Dmitri Sklyarov ha accettato di testimoniare contro la Elcomsoft, la sua ex ditta, in cambio della libertà. Decadono in conseguenza di questo patteggiamento le →
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14.12.01 Net art contro la guerra (4).
S’intitola ‘Guernica‘ come il celebre quadro di Picasso sulla guerra civile spagnola, il mondo virtuale da incubo costruito dal gruppo →
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14.12.01 La Net Art di Mouchette in festival.
‘My_Last_Birthday_Party‘ è la rappresentazione finale di Mouchette, la ragazzina di tredici anni creata e perpetrata da tempi non sospetti →
.emusic
14.12.01 Compilation online.
Maurizio Dani è un poliedrico musicista elettronico, attivo da diversi anni con numerosi progetti (Masala, Alkemya, A.Robotnick, Third Planet). Anche quest’anno ha realizzato la →
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14.12.01 Arte Neurale.
log-in/locked out è un forum di discussione che tratta le intersezioni fra arte, neurologia e comunicazione. Condotto da Gabriele Leidloff discute di possibili manifesti →
.emusic
13.12.01 Webcast masterizzati.
Il Digital Club Network è stato fondato nel 1998 come propaggine dell’online music festival organizzato con lo stesso nome. Ma la società di Andrew →
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13.12.01 Very Cyberfeminist International.
Organizzato dal collettivo Old Boys Network, comincia oggi al Lichtmesz-Kino di Amburgo (Germania) ‘Very Cyberfeminist International‘, una tre giorni di mostre e conferenze →
