Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
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14.01.02 Tigerlily, come diventare un net artista.
Tigerlily è un portale di net art olandese e internazionale strutturato secondo la prospettiva di fornire una raccolta di link →
.emusic
14.01.02 Ogg Vorbis RC3.
L’attesa release RC3 di Ogg Vorbis è pronta da scaricare dal sito del consorzio di programmatori che stanno sviluppando questo standard completamente libero →
.hacktivism
14.01.02 Bill Gates è morto! (ma è solo un film).
Ha debuttato ieri, 13 gennaio, allo Slamdance film festival, ‘Nothing So Strange‘ un film indipendente che segue →
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14.01.02 MOVET (Musical Optics for a Visual Entertainment Time).
I ‘Movet’ (Musical Optics for a Visual Entertainment Time) sono delle animazioni in shockwave sensibili agli input musicali →
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14.01.02 Browser Gestures, navigatori alternativi.
Mark Dagget (autore di Deskswap, vedi) ha sviluppato una serie di applicazioni di net art che cercano di reinterpretare il concetto stesso →
by Alessandro Ludovico
In your opinion is there a specific language of ‘information noise’ (Information of any kind that is not clearly useful to the user such as voluntary glitches in a music tune, →
– Venerdì a Reggio Emilia, al Maffia
.Santos, house .i
– Venerdì a Bologna, alle ex Scuderie Bentivoglio
.Nark Bkb, ambient, i
– Venerdì su RaiRadio2, a Weekendance (h: 01:00)
.Freq Nasty, →
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11.01.02 Sibling Revelry, net art con sample sonori.
Sibling Revelry è un ‘giocattolo sonoro’ sviluppato da Greg e Peter Traub per essere ascoltato online. Funziona come un →
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11.01.02 Net art italiana: RGB Project.
In una sorta di vettorializzazione della pop art, il lavoro di Mauro Ceolin espresso nel suo RGB Project rimastica le immagini, →
.hacktivism
11.01.02 Hacker nei guai.
Jon Johansen, diciottenne norvegese (nell’immagine), è stato incriminato da un tribunale di Oslo per aver violato le leggi nazionali sui crimini informatici nel →
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11.01.02 L’arte elettronica dell’irregolarità.
The Glitch Symposium and Performance Event è il primo festival ad occuparsi specificamente dei ‘glitches’, termine inglese con cui si definiscono salti nell’ascolto, →
.hacktivism
11.01.02 Comunicazione lavoro e cittadinanza nell’età postfordista.
Sabato e Domenica presso la Sala dei Consoli, Palagio di Parte Guelfa a Firenze, si svolgerà il convegno ‘Comunicazione lavoro →
.emusic
11.01.02 Are You Experienced, club art.
Are You Experienced è una mostra di ‘club art’, che s’inaugura domani al Montevideo Netherlands Media Art Institute. Intenzione dei curatori →
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10.01.02 Project Hope, la net art per la speranza.
Project Hope, è una raccolta di 28 contributi sperimentabili online, che tecniche e approcci che rispecchiano la diversità →
