Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
.hacktivism
23.01.02 Hacker nei guai: chi fa da sè.
Il ventiduenne Jerome Heckenkamp, (nella foto) ex responsabile della sicurezza di rete presso il Los Alamos National Laboratory, ha →
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23.01.02 Net art italiana: i paesaggi della chiesa del software.
The Church of Software è il titolo dell’ultimo lavoro di Carlo Zanni, artista italiano da tempo alle →
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23.01.02 Almost Home, coppie irregolari d’immagini.
Arturo Herrera è l’autore di ‘Almost Home‘, un lavoro commissionato tempo fa dal Dia Center for the Arts di New York. →
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22.01.02 Videogame Art (3): Vote Machine.
In Vote Machine l’ultima opera di net art di Brian Judy ci si ritrova in un surreale campo d’azione interattivo, ispirato →
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22.01.02 La net art di Mez in una mostra personale su javamuseum.org.
Prima di tre mostre online dedicate agli ‘artisti dell’anno’ del javamuseum, quella che vede per →
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22.01.02 Kazaa venduta.
Oggi è stata annunciata la cessione di Kazaa, la società olandese produttrice dell’omonimo software gratuito per gli scambi peer-to-peer di files. Kazaa è stata →
.hacktivism
22.01.02 Decrittare un problema per accedere all’università.
Una modalità ormai diffusa per determinare l’accesso all’università è quella di sottoporre gli aspiranti ad un test. Ma alla University →
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22.01.02 Affective Encounters: atti di cyberfeminist technology.
Il cyberfemminismo ha sviluppato un livello di coscienza e analisi internazionale notevoli, ma che purtroppo hanno permeato ancora poco sia →
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21.01.02 I cd protetti non possono avere il logo ‘cd’ e Kazaa autosospeso.
– La Philips Electronics ha messo una gravosa ipoteca sulle tecnologie audio di protezione →
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21.01.02 Primo numero di NMEDIAC online, cultura dei nuovi media.
È online il primo numero di NMEDIAC, the Journal of New Media & Culture, una nuova pubblicazione →
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21.01.02 Jodi, nuova arte del videogioco.
‘Untitled Game’ è il titolo della nuova compilation di videogame art, resa disponibile online da Jodi, la coppia di enfant terrible →
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21.01.02 ‘Body’, corpo e realtà.
Il corpo rappresenta un argomento topico ogni volta che si entra in un contesto ‘incorporeo’ come l’arte elettronica e il web. Su →
.hacktivism
21.01.02 Australia, censure occulte.
Due anni dopo la legge sulla censura di contenuti ‘offensivi’, la governativa Australian Broadcasting Authority, principale promotrice del testo, si rifiuta di svelare →
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18.01.02 Zaumma, computer art a Napoli.
E-Marts presenta domani (19/01) presso lo studio Morra a Napoli, ‘Zaumma’, un’installazione di Maurizio Bolognini che consiste in 20 computer programmati →
