Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
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12.12.02 Poetrica, post-poesie algebriche.
Poetrica è il nome dato dall’artista brasiliana Giselle Beiguelman alle sue ‘post-poesie’. Queste poesie visuali sono composte secondo operazioni algebriche e font non →
.hacktivism
12.12.02 Neuromarketing: scanning cerebrali per tarare la pubblicità.
È stato definito dai suoi creatori ‘neuromarketing’, e consiste nel rilevare tramite risonanza magnetica le reazioni cerebrali all’esposizione di →
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12.12.02 DiaryU, la stessa persona dietro più blog personali.
DiaryU è un esperimento sociale e letterario allo stesso tempo, in quanto si compone di cinque differenti blog →
.emusic
12.12.02 Cello, robot art sonora.
Beatriz da Costa è un’artista che indaga le possibilità della robot art, allo stesso tempo affascinata dal suono. Il suo ‘Cello‘ integra →
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11.12.02 Borders are everywhere, non-luoghi di confine reali e immateriali.
“Borders are everywhere, not just between countries or states” (i confini sono ovunque, non solo fra i →
.hacktivism
11.12.02 Norika 3, la microcamera da ingoiare.
La prima videocamera da ingoiare è stata messa a punto dall’RF System laboratory di Nagano (Giappone), al fine di ottenere →
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11.12.02 Generative Art and Design Conference.
Comincia l’11 dicembre al Politecnico di Milano, la quinta conferenza internazionale di Arte Generativa, diretta come sempre da Celestino Soddu, che →
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10.12.02 Pattern Recognition, il nuovo libro di William Gibson.
Uscirà a febbraio 2003 negli USA, ‘Pattern Recognition‘, il nuovo libro di William Gibson, uno dei massimi esponenti →
.hacktivism
10.12.02 No War Television, la cronaca via satellite di chi non vuole la guerra.
Il 10 dicembre in contemporanea alle molte fiaccolate previste in tutt’Italia, sarà attivata →
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10.12.02 The Market-O-Matic (1.0), testi critici automatici.
Sviluppato dagli artisti tecnicamente avanzati del Lab404.com, The Market-O-Matic (1.0) [fine arts version] è un software con interfaccia web che →
.emusic
10.12.02 Hearing Colors, i colori che risuonano.
Presentato all’ISEA 2002, ‘Hearing Colors‘ è un lavoro della sigla nonsection, che cerca di innescare nell’utente la sinestesia fra suono →
.emusic
10.12.02 Ether, compilation di musica generativa online.
Organizzati dal musicista australiano Ian Andrews, i due volumi della compilation online Ether vertono i loro pezzi sui contributi volontari →
.hacktivism
07.12.02 Zelig.rc2, l’information veut ?tre libre.
Comincia il 9 dicembre a Parigi lo Zelig.rc2, l’evento più vicino ad un hackmeeting che si organizzi in Francia. L’evento rilancia →
.emusic
07.12.02 Weekender: Club To Club, Trace, Nicola Conte, Dj Food, Terroritmo, Retina.it, Rennie Pilgrem.
In principio vince Torino, Club To Club, grandissimi appuntamenti dislocati in diversi spazi →
