Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
CD – cave12
Sono registrazioni di neve che cade, ossa spezzate, campi magnetici e insetti, il tutto è ottenuto in 85 sessioni di HighC/UPIC*, un sistema “audio paint”, cioè un modello strutturato →
CD – 23five
Una partitura libera, basata su toni attutiti da ogni singolo strumento: un organo a canne, un flusso intermittente percussivo, sparute elettroniche, un asciugacapelli, un gong e un violino. →
CD – Pogus
Esce su Pogus il nuovo progetto di Enzo Minarelli, poeta sonoro e teorico – il suo manifesto sulla Polypoetry risale al 1987 – sperimentatore assai attratto dalle derive della →
CD – Ash / Touch
È sempre arduo cominciare a imbastire discorsi su una nuova uscita discografica di Christian Fennesz. Sarà per la statura del personaggio, sarà per l’estetica delle sue composizioni, un →
3xLP – Art Kill Art
Quattro turntablist improvvisano senza un canovaccio precostituito e registrano la performance su altrettante tracce, ognuno separatamente. L’intreccio è presentato poi in guisa d’una speciale tecnica su vinile, atta →
CD – Zerokilled
Combinando sapientemente più competenze musicali, che vanno dall’elettronica all’improvvisazione, dal jazz all’ambient e al minimalismo, Emanuele De Raymondi ha registrato in presa diretta e senza nessun elemento aggiuntivo, →
CD – Aagoo
Sono quattro le stanze d’albergo dove sono state effettuate le registrazioni utilizzate per questo progetto, immaginifiche ambientazioni sonore agite dal sound-artista friulano Cristiano Deison, manipolatore molto etereo, non nuovo nelle →
CD – Heavy Listening
Wow mantiene fede alla implicita dichiarazione d’intenti già contenuta nella stessa semplice e diretta esternazione del titolo. L’lp è conformato – infatti – a partire da un’unica frequenza →
CD – Gruenrekorder
Rupert Cox e Angus Carlyle fra il 2010 e il 2011 hanno effettuato e poi selezionato un ampia raccolta di catture auditive, registrazioni programmate distintamente →
CD – Illegal-Art
Raccogliendo l’ispirazione da un seminale testo fine anni sessanta di Bruno Munari e Davide Mosconi, il turntablist e cut-up artist Filippo Paolini – romano d’adozione e →
