Critical digital culture and media arts · Since 1993
L'Archivio Neural è un archivio di pubblicazioni noi raccolte nel corso degli anni. Sfoglia la nostra collezione qui.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Si chiuderà il 23 agosto al Paço das Arte di São Paulo File 2003, electronic language international festival, che quest’anno come non mai cerca di celebrare le mille potenzialità anarchiche delle reti e i fenomeni che al →
La ‘giustizia distributiva’ è una delle teorie filosofiche e morali che, detto in soldoni, concretizza su scala sociale ed economica un vecchio assioma marxista, ossia ‘a ciascuno secondo i suoi bisogni, da ciascuno secondo le sue possibilità’, →
Mentre gran parte degli album di successo viene seguito dalle rispettive compilation con i migliori remix e il fenomeno del bastard pop afferma la libertà di remixare qualsiasi brano, una società inglese lancia un formato musicale che →
Continua fino al 9 settembre all’Ateneo Art Gallery di Manila (Filippine), Decode, una singolare mostra che vuol far dialogare la collezione permanente del museo di arte moderna nazionale con diverse espressioni di media art. L’accostamento fra artefatti →
Osservare l’artista che crea era il massimo privilegio per gli apprendisti delle botteghe d’arte, fra i pochi, oltre ai committenti a poter osservare un’opera in itinere. Nella nostra epoca degli occhi moltiplicati a dismisura dai sensori ccd →
Dopo PainStation e LegShocker, Furninja è un progetto del gruppo Fur, composto da Roman Kirschner, Tilman Reiff e Volker Morawe, studenti dell’Accademia di Media Arts di Colonia che si occupano della realizzazione di ‘art entertainment interfaces’. Furnija →
‘RLA’, ossia Recent Live Archive, raccoglie le fatiche dal vivo dei Farmers Manual e di alcuni artisti del loro giro, dal 1995 al maggio 2003, in una cronologia composta da più di 72 ore di file audio →
[R]-[R]-[F] Remembering, Repressing, Forgetting ? un festival on line a pi? versioni (questa ? la 1.0), frutto dell’attivitˆ coordinata di artisti e curatori internazionali. RRF, “Memorial project against the Forgetting and for Humanity”, ha la particolaritˆ di →
Creato dagli sviluppatori di Kazaa, Skype è un nuovo software, grautito e in beta release, che consente di utilizzare le reti di scambio paritario peer-to-peer per comunicazioni telefoniche. Alcune differenze basilari rendono questo programma diverso dalle attuali →
V2_/NAI Publishers, ISBN 90-5662-310-9
Il flusso dei dati e il loro incerto ciclo vitale sono sempre più al centro delle analisi dei teorici dei nuovi media, che vedono in questo ecosistema digitale una sorta di brodo →
