Critical digital culture and media arts · Since 1993
The Neural Archive is a repository of publications collected by us during the years. Browse our collection here.
Sometimes the online world reveals unsuspected parallel dimensions. This is an unknown restyle of Neural independently (and secretly as we never knew about it) made by NY-based Motion and Graphic Designer, Clarke Blackham. Very nicely made, perhaps only a bit glossier for the magazine’s line, it testifies once more how even your most familiar outcomes can have another life somewhere else.
The value of craft after software sounds rampant sometimes, expressing the freedom of escaping repetitive taps and clicks to accomplish some assumed tasks. Mixing media, electricity, electronics, mechanics and inert objects Graham Dunning has realised a structured track/performance/open script in his “Mechanical Techno: Ghost in the Machine Music.” More than a proof of concept a machine music declination.
Isn’t ASCII Art a perfect form of “graffiti” in 2010s? The 8-bit aesthetics is among the strongest visual references connecting the analogue recent past with the omni-digital present, so why not adopt it to finally have some public art embedded in the present? In Varberg, Sweden, 2016, the GOTO80 crew (feat: Karin Andersson) did it, choosing (not by accident) the Mo Soul Amiga-font.
YesNo by Timo Kahlen feels like “traditional” net art, a well crafted stuck webpage for the user’s aural and clickable enjoyment.
The relationship between Andy Warhol and personal computers (becoming quite popular during his last years) has been only partially investigated beyond his Amiga works. In November 2015, Sotheby’s sold his “Apple (from Ads)” (acrylic and silkscreen ink on canvas) for 910.000 USD, and in catalogue’s notes Warhol tells about his meeting with Steve Jobs insisting to give him one and showing him how to draw (even if still in black and white): “we went into Sean [John Lennon’s son]’s bedroom–and there was a kid there setting up the Apple computer that Sean had gotten as a present, the Macintosh model. I said that once some man had been calling me a lot wanting to give me one, but that I’d never called him back or something, and then the kid looked up and said, ‘Yeah, that was me. I’m Steve Jobs.’ And he looked so young, like a college guy. And he told me that he would still send me one now. And then he gave me a lesson on drawing with it. It only comes in black and white now, but they’ll make it soon in color…I felt so old and out of it with this young whiz guy right there who helped invent it.”
Harsh Noise Wally, is a sophisticated mashup mixing strips of Wally, the lazy and cynic colleague of Dilbert with some epic noise music extreme attitudes. Well conceived and assembled.
Minority Report comes closer… Three huge screens at Birmingham New Street railway station are scanning passers-by and play advertisements accordingly. http://www.birminghammail.co.uk/news/midlands-news/new-street-station-advertising-screens-9920400
GoPro ancestors in the 1960s and 1970s, mainly sport and movie persons like F1 driver Jackie Stewart, Bob Sinclair and Steve McQueen.
Audiotapes, the medium that offered to millions of users endless possibilities to personally recombine sounds and emotions and introduced the concept of self-produced compilation, look like a distant memory. The MP3 generation, used →
Digital Art Weeks Festival ’07: Zurich, July 9 – July 14 2007
The Digital Art Weeks program is concerned with the application of digital technology in the arts
(tags: art sound media)
Iran starts its first women-only Internet cafe| Lifestyle| Reuters
Sex segregation →
‘Broadband’ basically was implemented to bring video on the web. The pioneer stamp-sized quicktime shorts and the uncertainty of compression that often corrupted the frames reproduction was suddenly something of the past. YouTube was →
Check the DEAF photo set here
Deaf (Dutch Electronic Art Festival) has always been different from the other festivals, with a long time experience (The organizing institution V2_ celebrated 25 years of activity) →
The famous ‘Protrude Flow’, permanently exhibited at the Ars Electronica Center in Linz, is one of the few spectacular electromagnet sculptures artworks. Its ability to model rounded forms out of a liquid black →
book – Constant V/J9
This is the catalogue of Verbindigen/Jonction 9 festival that took place in 2005 between Brussels, Liège and Antwerp. Taking over language as a →
book – The MIT Press – ISBN 0262232499
Internet spectatorship is a matter of fact, after the semiotic capital has pervaded online commercial strategies with a specific use of the body in →
xxxxx/OpenMute – ISBN 0955066441
Well placed in the underground tradition of obscure and fascinating books, this anthology edited by the Berlin-based collective xxxxx take the challenge to conceptually intertwine two different →
Ludic Society, GoApe Issue #5, Feb 08, 16 pages, ISBN 390238901X
A Branch to Fishkill
Continous Plea for Playsure… Epilogue – La nue remontante l’escalier
Resistance is Futile – Futility is Resistenace! Objects →
DEAF (Dutch Electronic Art Festival) 2007 opens on April 10th in Rotterdam. DEAF is one of the historical electronic arts festivals, and it has been built by V2_, that in 2007 celebrates 25 years →
